De Sangue e Vinho: As Bacchae de Soyinka como exemplo de teatro sincrético, circular e multidimensional

Autores

DOI:

https://doi.org/10.47661/afcl.v13i26.23376

Palavras-chave:

Dioniso, Bacantes, Teatro, Wolé Soyinka, EurípidesIorubá

Resumo

Este artigo é em um sumário da obra Bacchae of Euripides: A Communion Rite [Bacantes de Eurípedes: Um Rito de Comunhão], de Wole Soyinka, uma reescritura dramática nigeriana de As Bacantes, de Eurípides. Esta análise, que identifica as similaridades e as discrepâncias entre os antigos mitos e deuses gregos e a cosmogonia e os rituais iorubás, estará concentrada na ideia de que o drama é o meio ideal de expressão social e política dentro de um espaço pós-colonial. Os seguintes aspectos das Bacchae de Soyinka serão levados em consideração: a relação entre o protótipo clássico e a sua versão iorubá (a recontextualização de tempo, espaço e personagens; as similaridades e as discrepâncias entre os antigos mitos e deuses gregos e a cosmogonia e o folclore iorubás); o sincretismo cultural e metafísico; terceiro e último, a metamorfose da identidade do mito, isto é, a desconstrução dos cânones e temas ocidentais tradicionais, substituídos por rituais pré-coloniais. O resultado é um teatro sincrético.

Biografia do Autor

Fabio La Mantia (aut.), Università di Enna "Koré"

Fabio La Mantia is a researcher in Comparative Literature and Literary Criticism at the Faculty of Classic, Linguistic and Education Studies at “Kore” University of Enna. Among his publications: Leadership e Citizenship nei drammi storici di Ola Rotimi (CLUEB, Bologna 20008); La tragedia greca in Africa. L’Edipo re di Ola Rotimi (FRANCOANGELI, Roma 2010); Il dramma della straniera (FRANCOANGELI, Roma 2012); La fine del tempo. Apocalisse e post-apocalisse nella narrativa novecentesca (FRANCOANGELI, Roma 2015).

Luisa Severo Buaque de Holanda (trad.), PUC-Rio

Professora de Filosofia Antiga no Departamento de Filosofia da PUC-Rio.

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Palmento. Foto di Maria da Graça Gomes de Pina

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2019-12-22

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