Reading Shakespeare politically: the Berliner Ensemble production of Brecht’s Coriolan

Autores

  • Roberto Ferreira Rocha Universidade Federal do Rio de Janeiro, UFRJ

Palavras-chave:

Bertolt Brecht (1898-1956), William Shakespeare (1564-1616), Coriolano, Berliner Ensemble, Performance, Teatro Político

Resumo

Análise da adaptação da Tragédia de Coriolano, de William Shakespeare (1564-1616), por Bertolt Brecht (1898-1956), bem como da encenação do texto do dramaturgo alemão, realizada em 1964 pelo Berliner Ensemble. Tanto o trabalho de adaptação quanto a sua posterior encenação descartam qualquer neutralidade estético-política na retomada do drama histórico do general romano do começo da República.

Referências

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BENTLEY, Eric. “Introduction”. In Brecht, Bertolt. Edward II, A Chronicle Play. English version by Eric Bentley. New York: Grove Press, 1964, p. VII-XXVIII.

THE BERLINER ENSEMBLE, ed. “Coriolan” in der Inszenierung des Berliner Ensembles. Berlin, 1964.

THE BERLINER ENSEMBLE. Coriolanus (program). London: The National Theatre at the Old Vic 9-28 August 1965.

BRECHT, Bertold. Brecht on Theatre: The Development of an Aesthetic. Edited and translated by John Willet. New York: Hill and Wang, 1998. (First Edition, 1957).

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LYON, James K. “Brecht in Postwar Germany: Dissident Conformist, Cultural Icon, Literary Dictator”. In Lyon, James K. and Hans-Peter Brewer (eds.). Brecht Unbound: Presented as the International Bertolt Brecht Symposium Held at the University of Delaware, February 1992. Newark: University of Delaware Press, 1995, p. 76-88.

MANHEIM, Ralph. “Coriolanus: Notes”. In Brecht, Bertolt. Collect Plays Volume 9, Edited by Ralph Manheim and John Willet. New York: Vintage, 1972, p. 374-400.

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PLUTARCH. “‘The Life of Caius Martius Coriolanus’, from Plutarch’s Lives of Noble Grecians and Romanes, 1579”. Translated by Thomas North. In Brockbank, Philip (ed.). Coriolanus by William Shakespeare. The Arden Edition (2nd Series). London: Routledge, 1996. (First Edition 1976).

REYNOLDS, Bryan. “ ‘What is the city but the people?’: Transversal Performance and Radical Politics in Shakespeare’s Coriolanus and Brecht’s Coriolan”. In Hedrick, Donald & Reynolds, Bryan (eds.). Shakespeare without Class: Misappropriations of Cultural Capital. New York: Palgrave, 2000, p. 107-132.

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WILLET, John. The Theatre of Bertolt Brecht: A Study in Eight Aspects. London: Methuen, 1977. (First Edition 1959).

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02/17/2020

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