Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire

Authors

DOI:

https://doi.org/10.25187/codex.v6i2.21806

Keywords:

Euripides, Christus Patiens, reception, Byzantine tragedy, Constantinople

Abstract

This article intends to analyze in what terms the reception of the euripidean work took place in the Byzantine Empire. The Christian tragedy known as Christus Patiens will be scrutinized and questions will be made in order to clarify how a Christian piece of drama can be produced from verses of non Christian content. Through the cento, Gregory of Nazianzus (the allegedly author) proceeded to amalgamate aspects of two cultures per sedissimilar. Thus I intend to show and systematize how the euripidean verses were chosen and used in a Christian manner and I will argue that through the development of the character Mary the amalgamation of non Christian and Christian elements got its perfect accomplishment.

Author Biography

Waldir Moreira de Sousa Junior, Universidade de São Paulo

Waldir Moreira de Sousa Jr. possui graduação em Letras pela Universidade de São Paulo (2011). É mestre em Letras Clássicas pela FFLCH-USP. Atualmente é doutorando no Programa de Pós-Graduação em Letras Clássicas da Universidade de São Paulo e é bolsista da Capes.

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Published

2018-12-21

How to Cite

de Sousa Junior, W. M. (2018). Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire. CODEX - Revista De Estudos Clássicos, 6(2), 164–180. https://doi.org/10.25187/codex.v6i2.21806

Issue

Section

Dossiê: Drama Antigo & Recepção