Women, Power and Aristophanic Comedy
DOI:
https://doi.org/10.25187/codex.v11i2.62763Keywords:
women, Aristophanic comedy, Lysistrata, Spanish Caribbean literatureAbstract
Women's struggles for recognition have provided new perspectives on Aristophanes' Lysistrata held to be the primeval perspective on Antiquity. By contrast with the importance of tragic heroines, comedies have inspired fewer works. We propose to highlight here the specificities of the relationship of women and power in Aristophanic comedy as seen by Hispanic Caribbean authors.
References
ARISTÓFANES. Comedias. Trad. de Luis Gil. Madrid: Gredos, 2000.
ARRIVI, Francisco. Club de solteros. San Juan: Editorial Tinglado Puertorriqueño, B. 1a edición, 1962.
DOMÍNGUEZ, Franklin. Lisístrata odia la política. Santo Domingo: Feria Nacional del Libro, 1891.
GENTILE, Brigidina (ed.). “Penelope”. L’altra Penelope. Salerno, Milano: Oedipus ed, 2008.
GONZÁLEZ FREYRE, Natividad. “Lisístrata (Las mujeres se rebelan)”. Verde Olivo. no. 28, 15 de julio, pp. 88-89, 1962.
MIRANDA, Elina. Dioniso en las Antillas. La Habana: Ed. UH, 2019.
PLUTARCO. “Pericles-Fabio Máximo”, Vidas paralelas. Trad. de Antonio Ranz. Buenos Aires: Espasa-Calpe Argentina s.a, 1948.
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Copyright (c) 2024 Elina Miranda Cancela
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
