Working with digitized manuscripts in brazil – the case of Traicitié de la forme et devis comme on fait les tournois (Paris, bnf ms. Français 2695)

Autores/as

  • Barbara Lopes Roma Universidade de São Paulo (alumna)

DOI:

https://doi.org/10.55702/medievalis.v7i2.44301

Palabras clave:

René d’Anjou, Torneios, Manuscritos Digitalizados, Paleografia, Codicologia

Resumen

The Traicitié de la forme et devis comme on fait les tournois (Paris, BnF ms. Français 2695) written around 1460 by the Duke René D’Anjou (1409-1480) is noteworthy for synthesizing in a single work practices from princely court culture aristocracy of Late Middle Ages, focusing on tournaments and, moreover, an originality of combining textual and iconographic material to convey a message intended by the author. Regardless of its particularities, there are a few studies about this treatise since scholars have been considering it an irrelevant textual material. In this paper, I will demonstrate the importance of revisiting a manuscript to provide a corrected historical source for future analysis. Concurrently, I shall exhibit the possibilities and limitations of expanding the research for medieval studies field in Brazil working with digital content.

Biografía del autor/a

Barbara Lopes Roma, Universidade de São Paulo (alumna)

Interested in Manuscript Studies, mainly written culture (transmission and reception) of Norman and Angevin England, and medieval France, as well an interdisciplinary approach which combines literary and historical fields to understand coutliness, power, authority, literacy and patronage, all related to women's role. Another field of her research is Medievalism and Neomedievalism, she is interested in comprehend how modern society uses medieval culture to shape its own identity.
She completed her Master's Thesis with honours in 2016 at the University of Sao Paulo, focusing on court culture.

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Publicado

2021-04-09

Número

Vol. 7 Núm. 2 (2018)

Sección

Artigos

Licencia

Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution, que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.