ALICE WILLIAMS

BODY AND OBJECT IN MOVEMENT IN MUNDO LIVRE S/A’S MUSIC

Authors

DOI:

https://doi.org/10.61358/policromias.2025.v10n2.64955

Abstract

In Alice Williams, song by Mundo Livre S/A, we identify clearly the search for movements in the representation of the body in brazilian music of the 1990’s. The body represented as an object acts in an interchangeable game with its reference, that is, with an object treated sensually. We dedicate here, based on the sensual history of Pagode and its origins, to studying the toxic and identity relationships that permeate the eroticization of the female body in the song. Our pespective will be dialogical, with a critical and theoretical approach, in which we will seek support in Bakhtin (2010), Bosi (1977), Candido and Tatit (1997), mainly, to analyze and identify the poetic-musical mechanisms that frame Zero Quatro's and Tony’s project, considering it as .part of a brazilian musical system In the historical sphere, we will search in Lopes (2003), Sodré (1998), Trotta (2006) and others for the intricacies of the historical construction of the pagodes of Rio e Bahia, based on Samba. This theoretical contribution is the basis of our text, although we bring yet Paz (2003) and Paes (2008) to work the musically poetized image.

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Author Biographies

George Antonio Correia Feitosa, Universidade Regional do Cariri

Is student for master degree in the "Languges Post-graduation Program" at the Universidade Regional do Cariri (Urca) in the "Word poetics, culture and society" line with the dissertation project titled "Um satélite na cabeça: imagem e tradição no estuário estético do Manguebit", under the advising of Doctor Edson Soares Martins. Is volunteered collaborator of Macabéa - Revista Eletrônica do Netlli academic journal. Is graduated in the course of Languages - Degree in Portuguese and English with respective literatures at Universidade Regional do Cariri (URCA). Act as researcher of the Popular Song genre, with focus on the musical hibridism and on the musical poetics. Rersearch the musical poetic on the Manguebit Movement since 2019. He is part of the research group Núcleo de Pesquisa em Estudos Linguísticos e Literários (Netlli), under the Responsive Bakhtinistics line.

Edson Soares Martins, Universidade Regional do Cariri (Urca)

He holds a doctoral degree (2010) in Literature from the Federal University of Paraíba (PPGL/UFPB). Completed postdoctoral internship with PROLING-UFPB. He is currently Associate Professor (Reference O) of Brazilian Literature, at the Regional University of Cariri (URCA), being a permanent professor in the Graduate Program in Letters. He has experience in Literature, with emphasis on Brazilian Literature and Popular Oral Literature, working mainly on the following topics: Brazilian literature, poetry, folk oral art, in addition to studying, in the light of bakhtinian theoretical contribution, the short modern and contemporary narrative, the forms of popular oral aesthetics and African literatures. Editor-general of Macabéa - Netll Electronic Magazine and Deputy Editor of Miguilim - Netlli Electronic Magazine.

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Published

2025-09-26

Issue

Vol. 10 No. 2 (2025)

Section

Articles

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Copyright (c) 2025 Policromias - Revista de Estudos do Discurso, Imagem e Som

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