Hermenêutica de Crapularity:

Interpretação de pontos cegos da analítica, inteligência artificial e outros produtores algorítmicos do presente pós-apocalíptico

Auteurs

DOI :

https://doi.org/10.60001/ae.n47.21

Mots-clés :

Fluxus, Counting Songs, I.A., Análise de Big Data, Obra aberta

Résumé

L'article problematize l'utilisation de l'intelligence artificielle aujourd'hui, en s'appuyant sur les Counting Songs de Fluxus, créés dans les années 1960 ; pour l'auteur, elles étaient des actions qui entrevoyaient les procédures d'analyse actuelles du Big Data, qui, tende à répéter les mêmes schémas hégémoniques dans leurs analyses, en attitudes inventées par la culture occidentale.

Biographie de l'auteur

Beatriz Pimenta Velloso, EBA/UFRJ

Beatriz Pimenta Velloso é artista visual e professora associada do Departamento de Artes Visuais - Escultura, da Escola de Belas Artes, da Universidade Federal do Rio de Janeiro (BAE/EBA/UFRJ), Brasil. Possui mestrado em Linguagens Visuais e doutorado em Imagem e Cultura pelo Programa de Pós-Graduação em Artes Visuais (PPGAV/EBA/UFRJ). É líder do Grupo de Pesquisa A arte, a história e o museu em processo, certificado pelo Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq/UFRJ), organizando projetos de intervenção em museus e centros culturais do Rio de Janeiro. Coordena o Laboratório de Processos Artísticos LABPROA/EBA/UFRJ, contemplado por edital da Faperj em 2016. No ano de 2018, desenvolveu pesquisa pós-doutoral na Faculdade de Belas Artes da Universidade do Porto (FBAUP). Atua na área de arte contemporânea com ênfase em fotografia, vídeo, escultura e instalação.

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Publiée

2024-08-07