Por uma poética do instante. Roland Barthes em Haruo Ohara
DOI:
https://doi.org/10.1590/1517-106X/202224108Abstract
Este ensaio busca explorar a poética da obra fotográfica do nipo-brasileiro Haruo Ohara. Particularmente, pretende-se estabelecer uma aproximação inesperada de suas fotografias com a concepção estética de Roland Barthes, elaborada pelo semiólogo notadamente a partir da publicação de O império dos signos, em 1970.
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