Anger and revenge in Sofocles’ Ajax
DOI:
https://doi.org/10.25187/codex.v13i1.69116Keywords:
Revenge, Ajax, anger, SophoclesAbstract
In Sophocles' Ajax, the revenge desired by the protagonist of the same name is an important element of the plot, but it is somewhat secondary, since the action itself takes place before the drama begins and it fails, since Ajax is delirious when he believes he is punishing his enemies and there is no second attempt. What is more interesting, however, is that the very energy manifested in this vengeful violence circulates throughout the tragedy as a whole, most clearly in the final third of the drama, when it is Menelaus and Agamemnon who try to take revenge on their former ally and, by extension, his protector Teucro. Before that, however, this destructive force is already present in the protagonist's speeches after he regains consciousness, including his last speech before his suicide. Although most readings of this tragedy argue for the presence of a cathartic process in its last scenes, above all through the structure of compassion (eleos), we insist here on the poetic and affective multiforms of the energy of revenge, which stands out again and again throughout the tragedy.
Downloads
Metrics
References
BOCKSBERGER, Sophie M. Ajax Telamonian: the myth in archaic and classical Greece. Oxford: Oxford University Press, 2021.
CLAY, Jenny S. The wrath of Athena: gods and men in the Odyssey. Lanham: Rowman & Littlefield, 1997.
CURRIE, Bruno. Homer’s allusive art. Oxford: Oxford University Press, 2016.
DE JONG, Irene J. F.. Where narratology meets stylistics: the seven versions of Ajax’ madness. In: DE JONG, I. J. F.; RIJKSBARON, A. (org.) Sophocles and the Greek language: aspects of diction, syntax and pragmatics. Leiden: Brill, 2006, pp. 73-94.
DIGGLE, James. (org.) The Cambridge Greek Lexikon. Cambridge: Cambridge University Press, 2021.
EASTERLING, Patricia E. The tragic Homer. Bulletin of the Institute of Classical Studies v. 31, pp. 1-8, 1984.
FANTUZZI, Marco. The Rhesus attributed to Euripides. Cambridge: Cambridge University Press, 2020.
FINGLASS, Patrick J. Sophocles: Ajax. Cambridge: Cambridge University Press, 2011.
FRADE, Gustavo. Identidade, manifestação e repressão entre os aqueus (Tersites na Ilíada, canto 2). Classica v. 37, pp. 1-20, 2024.
GARVIE, A. F. Sophocles: Ajax. Warminster: Aris & Phillips, 1998.
HESK, Jon. Sophocles: Ajax. London: Duckworth, 2003.
GOLDHILL, Simon. Reading Greek tragedy. Cambridge: Cambridge University Press, 1986.
GOLDHILL, Simon. Choreography: the lyric voice of Sophoclean tragedy. In: GAGNÉ, R.; HOPMAN, M. (org.) Choral mediations in Greek tragedy. Cambridge: Cambridge University Press, 2013, pp. 100-29.
GRIFFITH, Mark. Sophocles: Antigone. Cambridge: Cambridge University Press, 1999.
HENRICHS, Albert. The tomb of Aias and the prospect of hero cult in Sophokles. Classical Antiquity v. 12, pp. 165-80, 1993.
HESK, Jon. Sophocles: Ajax. London: Duckworth, 2003.
HOMERO. Ilíada. Tradução e ensaio introdutório: Christian Werner. São Paulo: SESI-SP; Ubu, 2018.
JEBB, Richard C. Sophocles: The Plays and Fragments. Parte VII: “The Ajax”. Cambridge: Cambridge University Press, 1907.
KAHANE, Ahuvia. The interpretation of order: a study in the poetics of Homeric repetition. Oxford: Oxford University Press, 1994.
KNOX, Bernard M. W. The heroic temper: studies in the Sophoclean tragedy. Berkeley: University of California Press, 1964.
LIEBERT, Rana S. Tragic pleasure from Homer to Plato. Cambridge: Cambridge University Press, 2017.
LORAUX, Nicole. La voix endeuillée: essai sur la tragédie grecque. Paris: Gallimard, 1999.
MUELLER, Melissa. Objects as actors: props and the poetics of performance in Greek tragedy. Chicago: University of Chicago Press, 2016.
MUELLNER, Leonard C. The anger of Achilles: mēnis in Greek epic. Ithaca; London: Cornell University Press, 1996.
MUNTEANU, Dana L. Tragic pathos: pity and fear in Greek philosophy and tragedy. Cambridge; New York: Cambridge University Press, 2012.
NAGY, Gregory. The best of the Achaeans: concepts of the hero in archaic Greek poetry. 2a ed. Baltimore: Johns Hopkins University Press, 1999.
NOOTER, Sarah. When heroes sing: Sophocles and the shifting soundscape of tragedy. Cambridge; New York: Cambridge University Press, 2012.
PUCCI, Pietro. Les ‘figures’ de la métis dans l’Odyssée. Metis 1, pp. 7-28, 1986.
REINHARDT, Karl. Sophokles. 3ª ed. Frankfurt;Main: Klostermann, 1947.
REINHARDT, Karl. Sófocles. Trad.: Oliver Tolle. Brasília: EdUnb, 2007.
SCHEIN, Seth. L. The mortal hero: an introduction to Homer’s Iliad. Berkeley: University of California Press, 1984.
STAROBINSKI, Jean. L’épée d’Ajax. In: STAROBINSKI. Trois fureurs. Paris: Gallimard, 1974, pp. 11-71.
STOCKING, Charles H. Homer’s Iliad and the problem of force. Oxford: Oxford University Press, 2023.
SÓFOCLES. Ájax. Tradução, introdução e notas: Maria Luísa O. Resende. Lisboa: Universidade de Lisboa, 2013.
SÓFOCLES. Ájax. Tradução: Jaa Torrano. Ateliê; Mnema: Cotia; Araçoiaba da Serra, 2022.
TELÒ, Mario. Archive feelings: a theory of Greek tragedy. Columbus: Ohio State University Press, 2020.
WARWICK, Celsiana. We two alone: conjugal bonds and homoerotic subtext in the Iliad. Helios v. 46, n. 2, pp. 115-39, 2019.
WERNER, Christian. A arbitrariedade do sentido e do poder em Ájax 1047-1162. PhaoS v. 4, pp. 141-57, 2004.
WERNER, Christian. O tema da saciedade e a representação do guerreiro na Ilíada. Classica v. 32, n. 2, p. 181-97, 2019.
WERNER, Christian. O escudo de Aquiles e a tensão entre guerra e mousiké no canto XVIII da Ilíada. Synthesis 29.1, e115, 2022.
WERNER, Christian. Reading Diadorim in J. G. Rosa’s Grande sertão: veredas with the Iliadic Achilles. SILVA, M. F. et al (org.) Homer in Iberian-American Culture and Literature. Newcastle: Cambridge Scholars, 2024a, pp. 192-214.
WERNER, Christian. Beauty in war? Creation and destruction in Homer’s Iliad. In: BRASETE, Maria F.; MORAIS, Carlos. (org.) Achilles beyond fury: other faces of the hero. Newcastle: Cambridge Scholars, 2024b, pp. 13-29.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Christian Werner

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.







