The silent empty in the Os ângulos da casa
DOI:
https://doi.org/10.35520/mulemba.2024.v16n30e65568Abstract
The work Os ângulos da casa, by the mozambican Hirondina Joshua, presents dissonant voices that constitute the place of poetry in which one can explore the surrealist unconscious, the running of ink over the back of the paper, the influence of the ontological walk through everyday life, rethinking what is done poetic and the condition of human existence, in addition to the material “verse”. The silent emptiness of the house’s angles brings voices that do not deliver anything ready to the reader in their metaphysical compilation of forms. The rising poet, whose poetry is impregnated with symbolist characteristics, leans on the shoulders of the giants of verse on the African continent, looking inside and outside this house in which the poetic being moves
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