METÁFORA VISUAL E MONTAGEM EM PERTO DO CORAÇÃO SELVAGEM, DE CLARICE LISPECTOR

Abstract

This article aims to investigate the presence of cinematographic language in the novel Perto do coração selvagem, by Clarice Lispector, published in 1943. The aim, from the analytical-interpretive reading of the work, is to understand how literary writing re-elaborates cinematographic and dialogue with them. In the case of Lispector, the spatio-temporal destructuring orchestrates time in this work in a very similar way to the filmic procedure, as, to obtain the meaning between the chapters and parts of the text, it uses a process analogous to that of cinematic editing, since which is where space opens up for narrative progression. Therefore, the perspective adopted here is not just about comparing two different languages, that is, literature and cinema, but about remaining in the domain of writing and investigating how it corroborates traces of a language linked to visuality.