Ballets Russes y blackface

Autores

DOI:

https://doi.org/10.58786/rbed.2023.v1.n3.58775

Resumo

Traducción del artículo originalmente publicado en inglés: Järvinen, H. (2020). Ballets Russes and Blackface. Dance Research Journal, 52(3), 76-96. doi:10.1017/S0149767720000352

Biografia do Autor

Hanna Järvinen, Uniarts Helsinki's Academy Of Fine Arts

Eugenia Cadús es Investigadora Asistente del Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET). Doctora en Historia y Teoría de las Artes por la Universidad de Buenos Aires, donde también ejerce la docencia y dirige el Grupo de Estudios de Danzas Argentinas y Latinoamericanas (GEDAL). Investigadora del Departamento de Artes del Movimiento de la Universidad Nacional de las Artes. Participa de la asociación internacional Dance Studies Association (DSA) como Nominations Committee Representative. Miembro del Nodo Cultura y Peronismo (UBA) de la Red de Estudios sobre el Peronismo. Forma parte del Consejo Editorial de la serie “Composiciones para el disenso: perspectivas iberoamericanas de la danza” editada por la Dirección de Danza de la Universidad Nacional Autónoma de México (UNAM). Es miembro del Editorial Board de la revista Conversations Across the Field of Dance Studies, editada por la DSA y Michigan Publishing. Es practicante de danzas y su trabajo creativo incluye participar como asesora artística e histórica y dramaturgista en diversas obras. Autora del libro "Danza y Peronismo. Disputas entre cultura de elite y culturas populares" (Editorial Biblos, 2020), así como de numerosos artículos científicos.

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2023-09-02 — Atualizado em 2024-05-09

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JÄRVINEN, Hanna. Ballets Russes y blackface. Revista Brasileira de Estudos em Dança, [S. l.], v. 2, n. 3, p. 418–458, 2024. DOI: 10.58786/rbed.2023.v1.n3.58775. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/58775. Acesso em: 21 nov. 2024.

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v. 2 n. 3 (2023): Dança na Educação, educação na dança: questões em debate

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