Histórias da e para a “Dança Contemporânea”: repensando a pedagogia da história da dança na e a partir da periferia
DOI:
https://doi.org/10.58786/rbed.2025.v4.n8.71982Palavras-chave:
Autobiografia, Curriculo, História da Dança, Ensino de história da dançaResumo
O artigo defende que a verdadeira descolonização da pedagogia da história da dança requer o desmantelamento das hierarquias epistemológicas de valor que promovem apenas certas danças como dignas de teorização estética e atenção crítica. Essas danças valorizadas são as da Europa e da neo-Europa, geralmente encenadas para um público e sempre rotuladas como “arte”. Frequentemente, elas se apropriam de práticas do campo muito mais amplo da dança, apresentando essas apropriações como novidades dentro das instituições artísticas do Norte Global que dominam o discurso sobre a dança, incluindo quem é considerado “profissional” e o que é valioso o suficiente para constituir o assunto “central” para as futuras gerações de dançarinos – tanto na prática quanto na teoria. No processo de extrativismo colonialista, os quadros teóricos para a dança artística, hostis à vida em constante mudança das danças, utilizam a história (singular) para fazer com que as danças das periferias dos (neo-)impérios (antigos) europeus apareçam ou dentro de quadros antropológicos de alteridade exótica e cultura folclórica, ou como reações tardias ao centro e à vanguarda no coração desses impérios. Traçando o surgimento do discurso não marcado como branco e seus efeitos nos livros didáticos e na pedagogia da história da dança, este artigo sugere alguns passos em direção a um futuro mais equitativo.
Downloads
Referências
Alter, Judith B. Havelock Ellis's Essay "The Art of Dancing": A Reconsideration.”Dance Research Journal, 24(1), p. 27–35, 1992.
Battersby, Christina. Gender and Genius: Towards a Feminist Aesthetics. London: The Women’s Press, 1989.
Burrows, Jonathan. A Choreographer’s Handbook. London: Routledge, 2010.
Cappelle, Laura (Org.). Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
Carter, Alexandra & Fensham, Rachel (Orgs.). Dancing Naturally: Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance. Basingstoke: Palgrave Macmillan, 2011.
Chatterjea, Ananya. Heat and Alterity in Contemporary Dance: South-South Choreographies. Basingstoke: Palgrave Macmillan, 2020.
Claire, Elisabeth. Le corps en revolution. In Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours, ed. Laura Cappelle. Paris: Éditions du Seuil, ebook edition, 2020.
Croft, Clare. Dancers as Diplomats: American Choreography in Cultural Exchange. Oxford & New York: Oxford University Press, 2015.
Dabashi, Hamid. Can Non-Europeans Think? London: ZED Books, 2015.
DeFrantz, Thomas F. The Black Beat Made Visible: Hip Hop Dance and Body Power. In Lepecki, André (Org.). On the Presence of the Body: Essays of Dance and Performance Theory. Middletown: Wesleyan University Press, 2004, 64-81.
DeFrantz, Thomas F. Black Sensibilities – Contemporary Dance of an African Diaspora. In: eds. Kirsi Monni, Riikka Laakso & Hanna Järvinen (Orgs.) Dance Arts: Historical Perspectives and Contemporary Practices. Helsinki: Theatre Academy of the University of the Arts Helsinki, 2023. https://disco.teak.fi/tanssin-historia/en/black-sensibilities-contemporary-dance-of-an-african-diaspora/ Accessed 1 May 2025.
Thomas F. DeFrantz and Annie-B Parson (Orgs). Dance History(s): Imagination as a Form of Study. New York and Middletown: Big Dance Theater and Wesleyan University Press, 2024.
Ellis, Havelock. The Dance of Life. London: Houghton Mifflin, 1923.
Ewell, Philip A. Music Theory and the White Racial Frame. Music Theory Online 26(2), 2020. https://mtosmt.org/issues/mto.20.26.2/mto.20.26.2.ewell.html Accessed 1 May 2025.
Feodoroff, Pauliina. Writing is Against Me. Ǩee’rjtemtäidd lij muu vuâstta. In: eds. Liisa-Rávná Finbog, Katya García-Antón & Beaska Niillas (Orgs). Čatnosat: The Sámi pavilion. Indigenous Art, Knowledge and Sovereignty. Amsterdam: Valiz & Office for Contemporary Art Norway, 29-45, 2022.
Finnish Heritage Agency. The Homecoming exhibition creating a new way to illustrate Sámi culture. Website. https://www.kansallismuseo.fi/en/exhibitions/maccos-maccam-mahccan-kotiinpaluu, 2021. Accessed 1 May 2025.
Foster, Susan Leigh. Valuing Dance: Commodities and Gifts in Motion. New York: Oxford University Press, 2019.
Franko, Mark. Repeatability, Reconstruction and Beyond. Theatre Journal 41(1): 56-74, 1989.
Fratagnoli, Federica & Pagès, Sylviane. L’occident décentré: Circulations de gestes et créations hybrides. In: Laura Cappelle (Org.) Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
García-Antón, Katya. Please do not buy our lands, buy our art, begs the Begging Queen, and sells the views of her lands as portraits. In: Liisa-Rávná Finbog, Katya García-Antón & Beaska Niillas (Orgs). Čatnosat: The Sámi pavilion. Indigenous Art, Knowledge and Sovereignty. Amsterdam: Valiz & Office for Contemporary Art Norway, 4-13, 2022.
Gardner, Sally. Lying down in the air: Feminism, new dance and representation. Hysteric: body/medicine/text 4, 2004. http://www.latrobe.edu.au/english/hysteric/gardner.html Accessed 12.8. 2004.
Germain-Thomas, Patrick. Le contemporain: un questionnement pour la danse d’aujourd’hui. In: Laura Cappelle (Org.) Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
Grove, Mrs Lilly [Elisabeth Johanna de Boys Adelsdorfer, Lady Frazer]. Dancing. London: Longman’s Green, 1895.
Guarato, Rafael. The burden of the history of (and in) dance: consequences of coloniality and decoloniality for historiographies of the souths of the ‘global south’. Revista Brasileira de Estudos em Dança 1(1): 108-137, 2022. https://doi.org/10.58786/rbed.2022.v1.n1.51999 Accessed 1 May 2025.
Guarato, Rafael. Dance Archives in Brazil and the Performativity of the Past. ARJ – Art Research Journal / Revista de Pesquisa em Artes 11(1): 1-17, 2024.
Hammergren, Lena. Many Sources, Many Voices. In: Geraldine Morris & Larraine Nicholas (Orgs). Rethinking Dance History: Issues and Methodologies. London: Routledge, 136-147, 2017.
hooks, bell. Talking Back. In: Russell Ferguson, Martha Gever, Trinh T. Minh-ha & Cornel West (Orgs). Out There: Marginalization and Contemporary Culture. Cambridge: MIT Press, 1990.
Hoppu, Petri & Jouste, Marko. Skolt Saami Dance: The Transformative Journey of Tradition, Resilience, and the Arctic Quadrille. London: Bloomsbury Methuen (in print), 2025.
Hoppu, Petri. National Dances and Popular Education: The Formation of Folk Dance Canons in Norden. In: Karen Vedel. Trondheim (Org). Dance and the Formation of Norden: Emergences and Struggles. Tapir Academic Press, 2011, 27-56.
Järvinen, Hanna. ‘Dancing Back to Arcady’: On Representations of Early Twentieth-Century Modern Dance.” In: Susanne Ravn and Leena Rouhiainen (Orgs). Dance Spaces: Practices of Movement. Odense: University of Southern Denmark Press, 2012, 57–77.
Järvinen, Hanna. Decolonize Nordic Dance. In: Solveig Styve Holte, Ann-Christin Kongsness & Venke Marie Sortland (Orgs). Choreography/Koreografi. [Oslo]: Choreography/Arts Council Norway, 2021, 84-116.
Järvinen, Hanna. Ballets Russes y blackface. Revista Brasileira de Estudos em Dança 2(3): 2023, 418-458. https://doi.org/10.58786/rbed.2023.v1.n3.58775 Accessed 1 May 2025.
Kant, Marion. German Gymnastics, Modern German Dance, and Nazi Aesthetics. Dance Research Journal 48(2): 4–25, 2016.
Kealiinohomoku, Joann. An Anthropologist Looks at Ballet as a Form of Ethnic Dance. In: Ann Dils and Ann Cooper Albright (Orgs). Moving History/Dancing Cultures: A Dance History Reader. Wesleyan University Press, 1970/2001, 33–43.
Kellokumpu, Simo. Choreography as Reading Practice. Doctoral thesis. Helsinki: Theatre Academy of the University of the Arts Helsinki, 2019. https://www.researchcatalogue.net/view/437088/438771 Accessed 1 May 2025.
Keskinen, Suvi. Intra-Nordic Differences, Colonial/Racial Histories, and National Narratives: Rewriting Finnish History. Scandinavian Studies 91(1–2): 163–181, 2019.
King-Dorset, Rodreguez. Black Dance in London, 1730–1850. Jefferson: McFarland, 2008.
Korppi-Tommola, Riikka. Virtauksia Valloista: Sukelluksia suomalaisen modernin tanssin amerikkalaistamiseen 1960-luvulla. In: Johanna Laakkonen & Tiina Suhonen (Orgs). Weimarista Valtoihin: Kansainvälisyys suomalaisessa tanssitaiteessa. Helsinki: Teatterimuseo, 83–112, 2012.
Kraut, Anthea. Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance. New York: Oxford University Press, 2015.
Laakkonen, Johanna, Kukkonen, Aino, Rauhamaa, Raisa & Korppi-Tommola, Riikka. (Orgs). Se alkoi joutsenesta: Sata vuotta arkea ja unelmia Kansallisbaletissa. Helsinki: Karisto, 2021.
Lakes, Robin. The Hidden Authoritarian Roots in Western Concert Dance. In: Naomi Jackson & Toni Shapiro-Phim (Orgs). Dance, Human Rights, and Social Justice: Dignity in Motion. Maryland: Scarecrow Press, 109-130, 2008.
Leoussi, Athena S. Making Nations in the Image of Greece: Classical Greek Conceptions of the Body in the Construction of National Identity in Nineteenth-Century England, France and Germany. In: Thorsten Fögen and Richard Warren (Orgs). Graeco-Roman Antiquity and the Idea of Nationalism in the 19th Century. Leiden: de Gruyter, 45–70, 2016.
Lepecki, André. The Body as Archive: Will to Re- Enact and the Afterlives of Dances.Dance Research Journal 42(2): 28–48, 2010.
Makkonen, Anne. Ihan sieluun asti koski: Naiset nuoruuden, kauneuden sekä henkisen ja ruumiillisen voiman vieraina Berliinissä 1936. Kasvatus & Aika 4(2): 145-157, 2010.
Marquié, Hélène. Effervescence et expérimentations, une nouvelle vitalité en France à la fin du XIXe siècle. In: Laura Cappelle (Org). Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
McCarren, Felicia. Le hip-hop, de la rue à la scene. In: Laura Cappelle (Org.). Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
McKittridge, Katherine. Dear Science and Other Stories. Durham: Duke University Press, 2021.
Monni, Kirsi & Laakso, Riikka & Järvinen, Hanna (Orgs). Näkökulmia tanssitaiteen historiaan ja nykypäivään. Helsinki: Taideyliopiston Teatterikorkeakoulu., 2022. https://disco.teak.fi/tanssin-historia/ Accessed 1 May 2025.
Monni, Kirsi & Laakso, Riikka & Järvinen, Hanna (Orgs). Dance Arts: Historical Perspectives and Contemporary Practices. Translated by Aino Kukkonen. Helsinki: Theatre Academy of the University of the Arts Helsinki, 2023. https://disco.teak.fi/tanssin-historia/en/ Accessed 1 May 2025.
Naukkarinen, Anne (Org). A Book of Dances. Helsinki: Teatterin Uusi Alkukirjasto & Moving in November Festival, 2024.
Nochlin, Linda. Women, Art, and Power and Other Essays. London: Harper & Row, 1989.
Ng, Jason & Fogarty, Mary. The polarizing politics of breaking’s inclusion in the Olympics. Global Hip Hop Studies 4(2): 85-89, 2023.
Painter, Nell Irvin. The History of White People. New York: W.W. Norton, 2010.
Palmberg, Mai. The Nordic Colonial Mind. In: Suvi Keskinen, Salla Tuori, Sari Irni & Diane Mulinari (Orgs). Complying with Colonialism: Gender, Race and Ethnicity in the Nordic Region. London: Routledge, 35–50, 2009/2020.
Reynolds, Nancy & McCormick, Malcolm. No Fixed Points: Dance in the Twentieth Century. New Haven: Yale University Press, 2003.
Sachs, Curt.. A World History of the Dance. Translated by Bessie Schönberg. New York: W. W. Norton (German 1933), 1937.
Scolieri, Paul. ‘An Interesting Experiment in Eugenics’: Ted Shawn, American Dance, and the Discourses of Sex, Race, and Ethnicity.” In: Anthony Shay and Barbara Sellers-Young (Orgs). The Oxford Handbook of Dance and Ethnicity. Oxford University Press, 185–209, 2013.
Siida. Sámi Museum and Nature Centre website, 2025, https://siida.fi/en/
de Sousa Santos, Boaventura. The End of the Cognitive Empire: The Coming of Age of Epistemologies of the South. Durham, NC: Duke University Press, 2018.
Srinivasan, Priya. Sweating Saris: Indian Dance as Transnational Labor. Philadelphia: Temple University Press, 2011.
Stanger, Arabella. Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance. Evanston: Northwestern University Press, 2021.
Thuries, Aude. Du bal à l’écran: la danse à l’âge des medias de masse. In: Laura Cappelle (Org.) Nouvelle Histoire de la danse en Occident: De la Préhistoire à nos jours. Paris: Éditions du Seuil, ebook edition, 2020.
Tikka, Marko & Nevala, Seija-Leena. Kielletyt leikit: Tanssin kieltämisen historia Suomessa 1888-1948. [Jyväskylä]: Atena, 2020.
The Truth and Reconciliation Commission Concerning the Sámi People. 2025. Website. https://sdtsk.fi/en/home/ Accessed 1 May 2025.
Tuck, Eve & Yang, K. Wayne. Decolonization is not a metaphor. Decolonization: Indigeneity, Education & Society 1(1): 1–40, 2012.
Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press, 2001.
Valtioneuvosto. “I want a better life for my people” : A summary of the proposals given by the Sámi Truth and Reconciliation Commission in Finland. Publications of the Finnish Government 2025:105. Helsinki: The Finnish Government, 2025. Accessed 5 December 2025. https://urn.fi/URN:ISBN:978-952-383-956-4
Vedel, Karen (Org). Dance and the Formation. of Norden: Emergences and. Struggles. Trondheim: Tapir, 2011.
Vuillier, Gaston. La Danse. Paris: Hachette, 1898.
Väätäinen, Hanna. Ableism in Dance and Disabled Dancers. In: Kirsi Monni, Riikka Laakso & Hanna Järvinen (Orgs). Dance Arts: Historical Perspectives and Contemporary Practices. Helsinki: Theatre Academy of the University of the Arts Helsinki, 2023a .https://disco.teak.fi/tanssin-historia/en/ableism-in-dance-and-disabled-dancers/ Accessed 1 May 2025.
Väätäinen, Hanna. Afrodiasporic and Pan-African Modern Dance. In: Kirsi Monni, Riikka Laakso & Hanna Järvinen (Orgs). Dance Arts: Historical Perspectives and Contemporary Practices. Helsinki: Theatre Academy of the University of the Arts Helsinki, 2023b. https://disco.teak.fi/tanssin-historia/en/afrodiasporic-and-pan-african-modern-dance/ Accessed 1 May 2025.
Walsh, Shannon L. Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout. Basingstoke: Palgrave Macmillan, 2020.
Weckman, Joanna. Unknown Stories: Costumes Representing Ethnicity in the Theatre Museum in Finland. Nordic Theatre Studies 35 (2): 4-22, 2023.
White, Hayden V. The Burden of History. History and Theory 5(2): 111–134, 1966.
Woolf, Virginia. A Room of One’s Own. Harmondsworth: Penguin, 1928/1973.
Downloads
Publicado
Como Citar
Edição
Seção
Licença
As pessoas autoras que publicarem na Revista Brasileira de Estudos em Dança são os responsáveis pelo conteúdo dos artigos assinados e retém os direitos autorais. Concedem à revista o direito de primeira publicação com o trabalho simultaneamente licenciado sob a Licença Creative Commons Atribuição-Não Comercial 4.0 (Open Archives Iniciative - OAI). Esse recurso, utilizado para periódicos de acesso aberto, permite o compartilhamento do trabalho para fins não comerciais com reconhecimento da autoria. Caso o texto venha a ser publicado posteriormente em outro veículo, a pessoa autora deverá informar que o mesmo foi originalmente publicado como artigo na Revista Brasileira de Estudos em Dança. Assim sendo, ainda que a revista seja detentora da primeira publicação, é reservado às pessoas autoras o direito de publicar seus trabalhos em repositórios institucionais ou em suas páginas pessoais, mesmo que o processo editorial não tenha sido finalizado.
É reservado à revista o direito de realizar alterações de ordem normativa, ortográfica e gramatical visando manter o padrão de língua, respeitando-se, porém, o estilo autoral.
