Dance, NFT,and 3D chore-ographic innovations:

A conversation with Diego Mac

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v2.n2.55037

Keywords:

dança, NFT, animação 3d, block chain.

Abstract

Dances and technologies are inseparable in the facets and flows of cyberculture (LÉVY, 2010), and on this path, thinking about ways of producing this context also involves how to enter its marketing paths. In this sense, the present text is dedicated to publicizing a conversa-tion with Diego Mac (Diego Machado), an artist from Porto Alegre (Rio Grande do Sul state/Brazil), about his incursion and technological ex-perience on Dance in 3D animation contexts and the exponent NFT digital market. For this, a semi-structured interview was carried out, bringing together topics regarding body, dance, technology, choreo-graphy, art market, which concluded with indications of how dancing subjects can approach a thought that questions what are possible Dance products in the digital context? The methodological approach follows a line of interest for practice as research (NELSON, 2013) and practice-guided research (CANDY, 2006), admitting the interview with the mentioned subject as the primary source of data collection.

Author Biography

Daniel Silva Aires, Federal University of Rio Grande do Sul

Artista e pesquisador de danças e visualidades multimídia; Doutor e Mestre pelo Programa de Pós-graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul (PPGAC-UFRGS); Especialista em Dança (UFRGS); Licenciado em Dança (UFRGS); Bacharel em Artes Visuais pela Universdiade Federal de Santa Maria (UFSM).

References

BRITES, B.; TESSLER, E. O meio como ponto zero: metodologia da pesquisa em artes plásticas. Porto Alegre: Editora da UFRGS, 2002.

CANDY, L. Practice based research: A guide. CCS report, v. 1, n. 2, p. 1-19, 2006.

LÉVY. P. Cibercultura. São Paulo: Editora 34, 2010.

NELSON, R. Practice as research in the arts: Principles, protocols, pedagogies, resistances. Springer, 2013.

Downloads

Published

2022-12-30 — Updated on 2023-12-01

Versions

How to Cite

AIRES, Daniel Silva. Dance, NFT,and 3D chore-ographic innovations:: A conversation with Diego Mac. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 2, p. 330–340, 2023. DOI: 10.58786/rbed.2022.v2.n2.55037. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/55037. Acesso em: 17 jul. 2024.

Issue

Vol. 1 No. 2 (2022): Pesquisas em Dança: fluxo contínuo

Section

Entrevistas

License 

Authors who publish in the Revista Brasileira de Estudos em Dança are 
responsible for the content of signed articles and retain copyright. 
They grant the journal the right of first publication with the work simultaneously 
licensed under the Creative Commons Attribution-NonCommercial 4.0 License 
(Open Archives Initiative - OAI). This feature, used for open-access journals, 
allows sharing work for non-commercial purposes and acknowledges 
authorship. If the text is later published in another vehicle, the author 
must inform that it was initially published as an article in the Revista Brasileira 
de Estudos em Dança. Therefore, even if the journal owns the first publication, 
authors are entitled to publish their work in institutional repositories or on
 their personal pages, even if the editorial process has not been completed. 
The journal reserves the right to make normative, orthographic, and grammatical changes to maintain the language standard, respecting the authorial style.