Aquilomba FiloMove:

The process of re(creation) of tradition in the trajectory of Maestra Maria de Tie and the Quilombola de Souza Community

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v2.n2.55282

Keywords:

Dança, Estudos Afrolatinoamericanos, Quilombo, Filosofias do corpo, Pesquisa audiovisual.

Abstract

In this research clipping, we present aspects of the audio-visual research Aquilomba Filomove carried out as collaborative action research by the Research Group Filomove: Philosophy, Arts and Latin América Aesthetics in2018, together with Maria de Tie and the Comunidade Quilombola de Souza, in Chapada of Araripe, Municipality of Porteiras in the south of Ceará, Brazil. The coconut as an intertwined dance, tambourine touch and singing show the body techniques, rhythmic cells and compositional strategies that were part of the reconstruction process of Afro-descendant manifestations, producing spaces of identification for the group. We guide action research towards the critical-reflective rescue of Latin American African American material and immaterial cultural heritage

Author Biography

Natacha Muriel López Gallucci, Universidade Federal de Alagoas (UFAL)

Professora do Instituto de Ciências Humanas, Comunicação e Artes (ICHCA) da Universidade Federal de Alagoas (UFAL). Professora do Programa de Pós-Graduação em Artes (PPGArtes ICA) da Universidade Federal do Ceará e do Mestrado em Artes - Profartes da Universidade Regional do Cariri (URCA). Possui Doutorado em Filosofia (IFCH, UNICAMP, 2008); Doutorado em Multimeios (IA, UNICAMP, 2014) e Mestrado em Filosofia. (IFCH, UNICAMP, 2003). Especialização em Estudos Afrolatinoamericanos pelo Afro-Latin American Research Institute Harvard University. Coordenadora do Grupo de Pesquisa Filomove Filosofias, Artes e Estética da América Latina (UFAL) Contato: http://www.natachalopezgallucci.com e www.linktr.ee/filomove

Downloads

Published

2022-12-30 — Updated on 2023-11-30

Versions

How to Cite

MURIEL LÓPEZ GALLUCCI, Natacha. Aquilomba FiloMove: : The process of re(creation) of tradition in the trajectory of Maestra Maria de Tie and the Quilombola de Souza Community. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 2, p. 54–84, 2023. DOI: 10.58786/rbed.2022.v2.n2.55282. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/55282. Acesso em: 21 nov. 2024.

Issue

Vol. 1 No. 2 (2022): Pesquisas em Dança: fluxo contínuo

Section

Artigos

License 

Authors who publish in the Revista Brasileira de Estudos em Dança are 
responsible for the content of signed articles and retain copyright. 
They grant the journal the right of first publication with the work simultaneously 
licensed under the Creative Commons Attribution-NonCommercial 4.0 License 
(Open Archives Initiative - OAI). This feature, used for open-access journals, 
allows sharing work for non-commercial purposes and acknowledges 
authorship. If the text is later published in another vehicle, the author 
must inform that it was initially published as an article in the Revista Brasileira 
de Estudos em Dança. Therefore, even if the journal owns the first publication, 
authors are entitled to publish their work in institutional repositories or on
 their personal pages, even if the editorial process has not been completed. 
The journal reserves the right to make normative, orthographic, and grammatical changes to maintain the language standard, respecting the authorial style.