Improvisations with archive-objects

we dance armengue & wear ancestral parangoles

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v2.n2.55370

Keywords:

danças negras, armengue, parangolé, improvisação com objetos, anticolonial, intercorporeidade.

Abstract

In this article, the notion of improvisation in dance is approached from creative processes based on Afro-Brazilian cosmogonies. We call our experiences Armengue Dance. They are anti-choreographic and counter-dramaturgical scenic creations that make use ofobjects (ar-chive-objects) in their body compositions. These creations were made during workshops and classes that made use of elingaprinci-ples, developed initially in a postdoctoral dance internship. Our aim is to dismantle the prejudiced view, presented in Brazilian dictionaries, for the notion given about an improvised action from the term armen-gueand to discuss a dance with objects from the point of view of street epistemologies. In this sense, the concept of improvisation-ar-mengueis considered, in our studies, as a creative and anti-colonial weapon of the Brazilian people.

Author Biography

Laudemir Pereira Santos, Federal University of Bahia

Artista da cena, Professor/pesquisador, Macumbeiro e Capoeirista. Fez Pós-doutorado em Dança no PPGDANÇA/UFBA. Doutor e Mestre em Teatro com titulação na UDESC. Ministrou aulas em Escolas de Teatro, Circo e Dança no Brasil, Barcelona, Paris e Amsterdam. É um dos coautores do livro Gramáticas das Corporeidades Afrodiaspóricas: perspectivas etnográficas, lançado em 2020, Orgs. Julio Tavares.  Autor de vários artigos, livros e audiovisuais que tem como tema: Corporalidades Afro-brasileiras, Danças Negras, Contra colonialidade e Contra dramaturgia. Professor convidado e cofundador do componente Dança e Africanidades: perspectivas educacionais, poéticas e políticas (Doutorado-PPGDANÇA-UFBA). Dirigiu e atuou em experiências cênicas (performativas e audiovisuais) no Brasil e na Europa. Atua como Pesquisador-Associado nos seguintes grupos de pesquisa: Laboratório de Etnografia e Estudos em Comunicação, Cultura e Cognição (LEECCC), no Programa de Pós-Graduação em Antropologia da UFF, no Grupo de Pesquisa em Dança GIRA, no PPGDANÇA/UFBA e no grupo REDE AFRICANIDADES na FACED/UFBA.

 

Downloads

Published

2022-12-30 — Updated on 2023-11-30

Versions

How to Cite

PEREIRA SANTOS, Laudemir. Improvisations with archive-objects: we dance armengue & wear ancestral parangoles. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 2, p. 176–199, 2023. DOI: 10.58786/rbed.2022.v2.n2.55370. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/55370. Acesso em: 21 nov. 2024.

Issue

Vol. 1 No. 2 (2022): Pesquisas em Dança: fluxo contínuo

Section

Artigos

License 

Authors who publish in the Revista Brasileira de Estudos em Dança are 
responsible for the content of signed articles and retain copyright. 
They grant the journal the right of first publication with the work simultaneously 
licensed under the Creative Commons Attribution-NonCommercial 4.0 License 
(Open Archives Initiative - OAI). This feature, used for open-access journals, 
allows sharing work for non-commercial purposes and acknowledges 
authorship. If the text is later published in another vehicle, the author 
must inform that it was initially published as an article in the Revista Brasileira 
de Estudos em Dança. Therefore, even if the journal owns the first publication, 
authors are entitled to publish their work in institutional repositories or on
 their personal pages, even if the editorial process has not been completed. 
The journal reserves the right to make normative, orthographic, and grammatical changes to maintain the language standard, respecting the authorial style.