On the coming voices: chorality, time and resistance in “deixa passar o meu povo!, by Noémia de Sousa
DOI:
https://doi.org/10.35520/mulemba.2016.v8n14a4320Keywords:
Mozambican poetry, Noémia de Sousa, African Diaspora, chorality, resistance.Abstract
This paper intends, from reading the poem “Deixa passar o meu povo!”, by Noémia de Sousa, to analyzed the configuration of a poetical resistance developed by collecting some cultural references from the African Diaspora, especially from the North-American black choral music. It is pointed out the possibility of thinking the Diaspora as a space of cultural circulation instead of a strictly divided place.
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2016-06-28
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