On poetic encounters in Mozambican literature: intersemiotic relationships between Luís Bernardo Honwana and Sónia Sultuane
DOI:
https://doi.org/10.35520/mulemba.2024.v16n31e65364Abstract
The objective of this study is to develop a comparative analysis between the short story As mãos dos pretos, by Luís Bernardo Honwana and the virtual exhibition Touch me by Sónia Sultuane. The dialogue between the two artistic manifestations in question takes place through an intersemiotic relationship through the representation of hands and the respective synesthesia of the tactile sense. To support our reflections, we use as a theoretical contribution the concept of cosmoperception by Oyèrónké Oyèwúmì (2021), the metamorphosis of Mozambican voices by Terezinha Taborda Moreira (2005) and moments of transition by Francisco Noa (2017), in addition to other theoretical undertakings summoned by the respective intersemiotic analysis.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
