Black dances in the land of drizzle

stories from quilombos.

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v2.n2.55299

Abstract

The work presents the trajectory of the sambista and artist Ednei Pedro Mariano, who has been working in carnival parades since the end of the 1960s. Nascimento claims that they are transatlantic terri-tories that preserve and gather knowledge fromquilombos. Mariano, in addition to witnessing the transformations that took place throughout the years, is also the protagonist of these transforma-tions. As a methodology, specialized bibliography, observation of records of carnival parades in digital media and interviews with the artist were used. The article is part of an ongoing research on the histories of black dances in the city of São Paulo.

Author Biography

Yaskara Donizeti Manzini, Universidade Estadual Paulista, São Paulo.

Yaskara Manzini é sambista, artista da dança, mestre e doutora em artes pela UNICAMP, em estágio pós-doutoral na UNESP. Sua pesquisa concentra-se nas performances afro-diaspóricas, traçando uma ponte entre a complexidade da estética religiosa da tradição dos orixás e os desfiles das escolas de samba. Atualmente é coreógrafa oficial da S.R.B.E. do Lavapés Pirata Negro.

 

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Published

2022-12-30 — Updated on 2023-11-30

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How to Cite

DONIZETI MANZINI, Yaskara. Black dances in the land of drizzle: stories from quilombos. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 2, p. 122–145, 2023. DOI: 10.58786/rbed.2022.v2.n2.55299. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/55299. Acesso em: 24 nov. 2024.

Issue

Vol. 1 No. 2 (2022): Pesquisas em Dança: fluxo contínuo

Section

Artigos

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