GAGA:
in search of the common
DOI:
https://doi.org/10.58786/rbed.2023.v1.n3.55361Abstract
n this text I start from the interest in promoting a reflection on the language of gaga movement, developed through the Israeli choreographer Ohad Naharin, in the early 90's. An artist of interventions, shocks and events proposes in his methodological language and choreographic works the contact with other worlds, where the rules are different. In this way, I use the perspective of observation, experience in workshops, participation in regular classes, analysis of bibliographic and methodological materials, videos, interviews and shows, with the intention of identifying the common that affects their practice.
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