Dancing Book for Improvising and Composing

expanded and connective (choreo)graphic dramaturgy - from book to action

Authors

DOI:

https://doi.org/10.58786/rbed.2023.v2.n4.62355

Keywords:

dance, improvisation, dance composition, expanded dramaturgy, connectivity

Abstract

This article refers to the experience of Mulheres da Improvisação concerning the writing and different uses of the Livro de Dançar: Cartas para Improvisar e Compor (Dancing Book: letters to improvise and compose, 2022). Its writing was based on the connection between distinct investigative interests, and from this unfolds the multiplicity of its uses, emerging expanded and connective dramaturgies when the cards are tried (Araújo; Didonet, 2021; Vieira, 2021; Santana; Mascarenhas Et Al., 2021; Tourinho, 2021; De Laet, 2018). We discussed these developments of the Livro de Dançar on various occasions with predictable or unpredictable uses. Different formats of releases and classes in other cities and occasions triggered differences in how the book can be read and performed. We reflect on how new study interests, archives, corporealities, and technical and aesthetic repertoires are connected, through which the text becomes experience and dramaturgy expands spaces and times.

Author Biographies

Roberta Ramos Marques, Universidade Federal de Pernambuco, Recife, Brasil

Member of Mulheres da Improvisação. Artist and professor of the Dance Course at UFPE Leader of the Peteca Research Group. Member of the Remembrance Collection and the Coletivo Lugar Comum. Author of Deslocamentos Armoriais (2012) and organizer and author of the books Acordes e Traçados Historiográficas (2016); Riot (2017), Comum Singular (2019), and Livro de Dançar: Cartas para Improvisar e Compor.

Carolina Natal , Universidade Federal do Rio de Janeiro, Rio de Janeiro, Brasil

Member of Mulheres da Improvisação. Artist and researcher in the field of dance. Choreographer on the Dance course at UFRJ and Collaborator on the Postgraduate Program in Dance (PPGDan) at UFRJ. PhD and Master in Multimedia (UNICAMP), with a Doctoral Internship at Université Paris 8 – Vincennes-Saint-Denis – (France). Bachelor and Degree in Dance (UNICAMP). Leader of the research group: ADENTRAR: images, dance, technologies.

Ivani Lúcia Oliveira de Santana, Universidade Federal do Rio de Janeiro, Rio de Janeiro, Brasil

Creator and member of Mulheres da Improvisação. Artist and researcher of dance with technological mediation. Master's and PhD in Communication and Semiotics (PUC-SP). Postdoctoral: Sonic Arts Research Center (United Kingdom). Full Professor, Department of Body Art and PPG Dance UFRJ. Collaborator at PPG Performing Arts UFBA. Leader of the Technological Poetics Research Group: corpoaudiovisual. She was visiting Professor at UBC and SFU (Canada).

Lígia Losada Tourinho, Universidade Federal do Rio de Janeiro, Rio de Janeiro, Brasil

Member of Mulheres da Improvisação. Lígia Losada Tourinho. Dance artist, actress, and researcher from Rio. PhD in Arts (Unicamp) and CMA (LIMS). Professor at the Federal University of Rio de Janeiro, professor at the Dept. of Body Art and the Postgraduate Programs in Dance (PPGDan) and Performing Arts (PPGAC). She is a professor of Postgraduate courses in Laban/Bartenieff (FAV-RJ) and Teaching Classical Dance at the Escola Estadual de Dança Maria Olenewa (TM/RJ).

Líria de Araújo Morais, Universidade Federal da Paraíba, João Pessoa, Brasil.

Member of Mulheres da Improvisação. Artist, teacher, and researcher in Dance. PhD in Performing Arts from PPGAC-UFBA. Adjunct professor at the Department of Performing Arts at UFPB. Master and Specialist in Dance from PPGDança-UFBA. She Graduated in Dance from UFBA. Professor of the Professional Master's Degree in Arts Network at UFPB. Coordinator of the Radar 1 research group – Dance Improvisation Group. Member of Bando – an improvisation study group.

References

ARAÚJO, Laura Castro de; DIDONET, Candice. A Dramaturgia Expandida: um campo aberto de (in)definições. Dramaturgia em foco, Petrolina-PE, v. 5, n. 1, p. 34-50, 2021.Petrolina-PE, 202. Disponível em: https://www.periodicos.univasf.edu.br/index.php/dramaturgiaemfoco/article/view/1460

Acesso em: 23 jun. 2023.

DE LAET, T. Corpos co(se)m memórias: estratégias de re-enactment na dança contemporânea. Moringa – Artes do Espetáculo, João Pessoa, v. 9, n. 2, 2018, p. 133-153. Disponível em: http://www.periodicos.ufpb.br/ojs2/index.php/moringa/article/view/43632. Acesso em: 23 jun. 2023.

MARQUES, Roberta Ramos. Uma biblioteca de dança “mais na carne”: histórias dissonantes das experiências com a dança para vidas presentes. Dança: Revista Do Programa de Pós-Graduação em Dança, Salvador, vol. 6, n. 9, p. 74–98, 2021. Disponível em: https://doi.org/10.9771/2317-3777dana.v6i1.47564. Acesso em: 23 jun. 2023.

MORAIS, L.A. Emergências cênicas em dança: a conectividade entre dançarinos no momento cênico improvisado. Dissertação de Mestrado - PPGDança-UFBA, 2010. Disponível em: https://repositorio.ufba.br/handle/ri/8328. Acesso em: 19 nov. 2023.

SANTANA, Ivani Lúcia Oliveira de; MASCARENHAS, George et al. Repertório, Salvador, ano 24, n. 36, p. 1-346, 2021.1. Disponível em: https://periodicos.ufba.br/index.php/revteatro/issue/view/2208/731. Acesso em: 23 jun. 2023.

SCHELL, Jesse. A arte do game design: o livro original. Rio de Janeiro: Elsevier, 2011.

TOURINHO, L. L. Dramaturgias do Corpo: Protocolos de Criação das Artes da Cena e do Movimento. Repertório, [S. l.], v. 1, n. 37, 2022. DOI: 10.9771/rr.v1i37.38194. Disponível em: https://periodicos.ufba.br/index.php/revteatro/article/view/38194. Acesso em: 19 nov. 2023.

VIEIRA, Mariane Araújo. Dramaturgia da improvisação: reflexões de um fazer composicional. 2021. 187f. Dissertação (Mestrado em Artes Cênicas) – Pós-Graduação em Artes Cênicas, Universidade Federal de Uberlândia, Uberlândia, 2021. Disponível em: https://repositorio.ufu.br/handle/123456789/31535. Acesso em: 23 jun. 2023.

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Published

2024-02-01

How to Cite

MARQUES, Roberta Ramos; NATAL , Carolina; OLIVEIRA DE SANTANA, Ivani Lúcia; LOSADA TOURINHO, Lígia; DE ARAÚJO MORAIS, Líria. Dancing Book for Improvising and Composing: expanded and connective (choreo)graphic dramaturgy - from book to action. Brazilian Journal of Dance Research, [S. l.], v. 2, n. 4, p. 132–148, 2024. DOI: 10.58786/rbed.2023.v2.n4.62355. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/62355. Acesso em: 21 nov. 2024.

Issue

Vol. 2 No. 4 (2023): Pesquisas em Dança: fluxo continuo

Section

Relatos de experiência

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