When insolents dance...

Authors

DOI:

https://doi.org/10.58786/rbed.2024.v3.n5.64197

Abstract

The article When insolents dance... brings together four dance experiences shared by artist-researchers. The aim is to present creative processes developed between 2021 and 2024, entangled with the concepts of insolence, insurgency and insurrection. Experiment 1, Partilhas Insolentes-Aweté Katu, presents plural discussions about insolence, freedom, disobedience and metamorphosis, in a video dance format. Experience 2, Quando insolentes dançam..., the theme of the Araraquara International Dance Festival 2022, is a tribute by curators Gilsamara Moura and Ailton Krenak to Pinar Selek - a Turkish woman exiled in France, human rights activist and persecuted for 26 years. Experience 3, Insolence 5: I love dancing with the ways of saying things, is a work in process that presents actions such as dancing and resisting. And Insolence 4: the feeling that everything is possible, a creation in residence that brings together artists from Brazil, Paraguay, Mexico, France and Palestine.

Author Biography

Gilsamara Moura, Universidade Federal da Bahia, Salvador, Brasil.

Faculty member of the Dance School/UFBA since 2009. Vice Director of the Dance School/UFBA (2023-2026). Coordinator of the Distance Licentiate in Dance/UFBA. PhD in Communication and Semiotics from the Pontifical Catholic University of São Paulo (PUC-SP), with research focused on dance and public policies. Postdoctoral researcher in Dance and Politics at Université Côte d’Azur. Leader of the research group ÁGORA: ways of being in dance (UFBA - CNPq). Provocative artist. Cultural project consultant. Director of Grupo Gestus. Creator and Curator of the International Dance Festival of Araraquara (FIDA), alongside Ailton Krenak. Founder of the Iracema Nogueira Municipal Dance School/Araraquara-SP. Researcher of the INSOLENTE Project. Participated in various international cooperation projects.

References

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Published

2024-10-18

How to Cite

MOURA, Gilsamara. When insolents dance... Brazilian Journal of Dance Research, [S. l.], v. 3, n. 5, p. 236–260, 2024. DOI: 10.58786/rbed.2024.v3.n5.64197. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/64197. Acesso em: 21 nov. 2024.