Quando os lugares importam:

provincializando o "global"

Autores/as

DOI:

https://doi.org/10.58786/rbed.2022.v1.n1.53409

Palabras clave:

colonialismo, saber local, provincializar a dança

Resumen

Na primeira edição do livro “Rethinking dance history: a reader” (Repensando a história da dança: uma leitura), Alexandra Carter discutiu a necessidade de novas histórias na história da dança. Em particular, ela destacou a importância de ir além das narrativas lineares com pontos finais claros no tempo presente. “Nossas histórias podem acomodar atividades que não parecem contribuir de nenhuma maneira óbvia para o 'desenvolvimento' da forma de arte, mas, em seu tempo, foram uma parte vital dela”. (Carter, 2004, p. 13) Como historiadores da dança, a crítica de Carter nos ajuda a reconhecer que escrever sobre a história da dança é importante, mesmo quando não valida os gostos e ideias artísticas de hoje. Isso sugere que as investigações podem ser ainda mais urgentes, uma vez que pode nos ajudar a superar os preconceitos de nosso próprio tempo.

Biografía del autor/a

Emily Wilcox, William & Mary University, Estados Unidos da América

Emily Wilcox é especialista em estudos culturais da China moderna e contemporânea, com foco na dança e performance art. Ela é autora de ”Revolutionary Bodies: Chinese and the Socialist Legacy” (University of California Press, 2019, vencedora do Prêmio de la Torre Bueno) e co-editora de “Corporeal Politics: Dancing East Asia” (University of Michigan Press 2020). Publicou vários artigos e capítulos de livros sobre dança e performance na Ásia e é ex-presidente da Association for Asian Performance. Em 2014-15, ela recebeu uma bolsa de humanidades do American Council of Learned Societies. Em 2016-17, ela recebeu uma bolsa de estudos transregional do Social Science Research Council Transregional Research.

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Publicado

2022-07-15 — Actualizado el 2024-05-10

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Cómo citar

WILCOX, Emily. Quando os lugares importam: : provincializando o "global". Revista Brasileira de Estudos em Dança, [S. l.], v. 1, n. 1, p. 353–370, 2024. DOI: 10.58786/rbed.2022.v1.n1.53409. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/53409. Acesso em: 23 nov. 2024.

Número

Vol. 1 Núm. 1 (2022): Outras Danças, Muitas Histórias

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