The troubadour songs and their permanence: updates in lusophony
DOI:
https://doi.org/10.35520/diadorim.2019.v21n1a20537Keywords:
Galician-Portuguese lyric, Resonances, Camões, João de Deus, Natalia Correia.Abstract
The article was aimed at updating the troubadour language in Portuguese literature, at the same time as it was a process of renewal and reinterpretation. For Saraiva and Lopes, the woman, the world dominated by the patriarchal legacy. Natalia Correia (as an essayist) made the love songs begin a modern statement, highlighting the figure of the woman in a medieval theocentric universe in the center of worship. If the successive times also in a vocal and renewing way. For a poetic analysis, the three moments of Portusongs of love and friend developed, from a Middle Ages, in a revolutionary way, they can also become guese literature: the classic, the modern and the contemporary, respectively with Camões, João de Deus and Natalia Correia (as poet).
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LOPES, Óscar; SARAIVA, António José. História da literatura portuguesa. 7.ed.
Santos: Martins Fontes, 1973.
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