Samba no pé from Rio:

clues for an ethnographic historiography

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v1.n1.52372

Keywords:

De-colonial, Dance historiographies, blackness

Abstract

Faced with recent decolonial efforts by researchers from the global south, in this essay I try to reflect on the possibility of a historiography of dance based on a very particular manifestation in Rio de Janeiro: the urban samba no pé from Rio de Janeiro. To do this, I propose an approach of exusiac anthropophagy, starting from the body as a document and with a comparative methodology that opens up to various crossroads of knowledge.

Author Biography

Fabiana Pereira Amaral, Universidade Federal do Rio de Janeiro, Brasil

She holds a PhD from the Graduate Program in Comparative History at the Federal University of Rio de Janeiro (2018), a Master's degree from the same program (2013), and a Bachelor's degree in Dance from the same institution (2010). She is currently a member of the Research Project Studies in the History of Dance in Brazil (UFRJ), the Extension Project Body on Stage: Relational Flows between Dance Training and Performance of Graduates in Society (UFRJ), as well as the Research Group on Memory and History of Dance (MeHDa - CNPq/UFG). She was a substitute professor for the Dance courses at the Federal University of Rio de Janeiro in the 2014-2015 biennium and again in the 2019-2020 biennium, as well as acting as Coordinator of Artistic Residencies and Workshops at the Choreographic Center of the City of Rio de Janeiro from 2018 to 2021, structuring public notices and participating in selection boards for important dance companies from Rio de Janeiro and other states that apply every six months for residency space at the aforementioned cultural facility. She has experience in the areas of Arts and History, with an emphasis on Dance, History of Dance and History of Dance in Brazil, working mainly on the following themes: Dance, Body and History.

References

ALBUQUERQUE, Isabela. A História Cruzada e os limites do comparativismo histórico. Fronteiras & Debates, v. 5, n. 2, p. 5-15, jul./dez. 2018.

BARROS, José D'Assunção. História Comparada. Petrópolis, RJ: Vozes, 2014.

______. Histórias Cruzadas – considerações sobre uma nova modalidade baseada nos procedimentos relacionais. Anos 90, [S. l.], v. 21, n. 40, p. 277–310, 2013.

BENTO, Cida. O pacto da Branquitude. São Paulo: Companhia das Letras, 2007

BLOCH, Marc. Os Reis Taumaturgos. São Paulo: Companhia das Letras, 1993.

______. Pour une histoire comparée des sociétés européennes. In: Melanges Historiques. v. 1. p. 16-40. Paris: EHESS, 1983.

CORSEUIL, Jacques. Apresentando Gilberto Motta. Correio da Manhã, Rio de Janeiro, 23 mar. 1958. 5º caderno, p. 6.

DETIENNE, Marcel. Comparar o incomparável. São Paulo: Ed. Ideias e Letras, 2004.

ESPAGNE, Michel. Les transferts culturels. Connections. A Journal for Historians and Area Specialists. 2005. Disponível em: www.connections.clio-online.net/debate/id/diskussionen-576. Acessado em 16 jan. 2022.

GARFINKEL, Yosef. The Evolution of Human Dance: Courtship, Rites of Passage, Trance, Calendrical Ceremonies and the Professional Dancer. Cambridge Archaeological Journal, v. 28, n. 2, p. 283-298, may 2018. DOI: 10.1017/S0959774317000865

GUARATO, Rafael. Del abandono como práctica historiográfica para una historiografía del abandono. Investigaciones en danza y movimiento, Buenos Aires, v. 01, n. 01, ano 01, p. 02-21, dezembro de 2019.

HOBSBAWM, Eric; RANGER, Terence. A invenção das tradições. São Paulo: Paz e Terra, 1997.

KAELBLE, Hartmut. Die Debatte über Vergleich und Transfer und was Jetzt? In: Connections. A Journal for Historians and Area Specialists. 2005. Disponível em: https://www.connections.clio-online.net/article/id/artikel-574 [tradução de Álvaro Alfredo Bragança Júnior]. Acessado em 16 jan. 2022.

PRANDI, Reginaldo. Mitologia dos orixás. São Paulo: Companhia das Letras, 2001.

RIBEIRO, Djamila. O que é lugar de fala? Belo Horizonte: Letramento, 2017.

ROYO, Alessandra Lopezy. Archaeology for dance: An approach to dance education. Research in Dance Education, v. 3, n. 2, p. 143-153, 2002. DOI: 10.1080/1464789022000034703.

SÀLÁMÌ, Sikiru King; RIBEIRO, Ronilda Iyakemi. Exu e a ordem do universo. São Paulo: Oduduwa, 2011.

SAID, Edward. Orientalismo. O Oriente como invenção do Ocidente. São Paulo: Companhia das Letras, 2007.

SETH, Sanjay. Razão ou Raciocínio? Clio ou Shiva? História da Historiografia, Ouro Preto, n. 11, p. 173-189, abril de 2013.

SIMAS, Luiz Antonio; RUFINO, Luiz. Flecha no Tempo. Rio de Janeiro: Mórula, 2019.

THEML, Neyde e BUSTAMENTE, Regina Maria da Cunha. História Comparada: Olhares Plurais. In: Revista de História Comparada, v. 1, n. 1, jun./2007.

VERGER, Pierre. Os orixás, os deuses iorubás na África e no novo mundo. Trad. Maria Aparecida de Nóbrega. São Paulo: Corrupio, 1993.

VIEIRA, Thaynã Fabiano do Rosário. Teoria/Metodologia Sapuca. Monografia (Licenciatura em Dança). Escola de Educação Física e Desportos, Universidade Federal do Rio de Janeiro. Rio de Janeiro, p. 72. 2021.

WERNER, Michael e ZIMMERMANN, Bénédicte. Pensar a história cruzada: entre a empiria e a reflexividade. In: Textos de História, v. 11, n. 1/ 2, p. 89-127. 2003.

Published

2022-07-15 — Updated on 2024-05-10

Versions

How to Cite

AMARAL, Fabiana Pereira. Samba no pé from Rio:: clues for an ethnographic historiography. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 1, p. 167–181, 2024. DOI: 10.58786/rbed.2022.v1.n1.52372. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/52372. Acesso em: 27 jul. 2024.