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Provincializing reenactment:

a critique of the idea of patrimony towards a sensitive historicity of the dance work

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v1.n1.53679

Keywords:

historia de la danza, teoría de la danza, teoría poscolonial, memoria, danza contemporánea.

Abstract

The aim of this paper is to offer an approach to the concept of reenactment from a perspective linked to postcolonial theory. In this sense, it is proposed to provincialize reenactment, that is, to renew its meaning from and for the global south. The concept of reenactment is understood as an implicit critique of the objectualization of the dance work and the monetarization of the past characteristic of the neoliberal economy. Its functioning as the axis of the artistic work has the capacity to reveal theplace of history in the scene, which in the case of dance in Buenos Aires refers to a poetics of absence, linked to the historical experience of the last dictatorship.

Author Biography

Juan Ignacio Vallejos, CONICET, Universidad de Buenos Aires

Juan Ignacio Vallejos es Doctor en Historia por la EHESS de Paris. Trabajó como docente en la UBA, la Universidad Nancy 2, la EHESS y el Centro Nacional de la Danza de Francia. Es co-fundador del Atelier d’histoire culturelle de la danse (CRAL-EHESS). Fue becario de la Fundación Getty en el Instituto Nacional de Historia del Arte de Paris y del Programa ALBAN. Trabajó junto a Dominique Brun en la recreación del ballet la Consagración de la Primavera de Nijinski con el apoyo del programa Aide à la Recherche et au Patrimoine en Danse del Ministerio de Cultura de Francia. Sus artículos han sido publicados en las revistas Dance Research Journal, Eadem Utraque Europa, Repères – Cahier de danse, Musicorum y Cuadernos Dieciochistas, entre otras. En la actualidad se desempeña como Investigador en el Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET) de Argentina.

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Published

2022-07-30 — Updated on 2023-12-01

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How to Cite

VALLEJOS, Juan Ignacio. Provincializing reenactment:: a critique of the idea of patrimony towards a sensitive historicity of the dance work. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 1, p. 265–289, 2023. DOI: 10.58786/rbed.2022.v1.n1.53679. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/53679. Acesso em: 27 jul. 2024.

Issue

Vol. 1 No. 1 (2022): Outras Danças, Muitas Histórias

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Artigos

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