Ñ face-to-face + face-to-face - an experience of dance creation in the era of the popularization of digital technologies
DOI:
https://doi.org/10.58786/rbed.2023.v2.n4.62357Keywords:
dança e tecnologiaAbstract
This text reports the process of creation, exhibition and operation of the choreographic project Non-Presential + Face to Face, which explores easily accessible and widely disseminated technological resources, such as smartphones, internet, cameras and platforms such as YouTube and Stream Yard. The central hypothesis of the text is that the use of these communication technologies, already familiar and relatively simple to handle, interferes in fundamental aspects of creation in Dance. To substantiate this hypothesis, the text dialogues with concepts such as Dance with Technological Mediation and (SANTANA, 2006), and presents choreographic models, such as Lisa Naugle Distributed Choreography (2002), Telematic Dance (SANTANA, 2016) and SCHULZE Choreographic System (2005).
References
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