Art and culture, a necessary rupture

Authors

DOI:

https://doi.org/10.58786/rbed.2024.v3.n5.64811

Keywords:

Art; Culture; Dance; Politics.

Abstract

This rehearsal points out the adversities arising from a predominant understanding in the social environment that art is just another branch of official culture. It also presents the art of the stage, more specifically professional stage dance, as a category of workers hidden in the cultural heterogeneity of contemporary society. Because of this erasure, it exposes the need to announce them separately because of the gigantic range of meanings that culture reveals. It also presents the differences between dance as a symbolic and historical manifestation of a people and theatre, which has the potential to break cultural paradigms.

Author Biography

Sandro Borelli, Universidade Estadual de Campinas, Campinas, Brasil.

Choreographer, Professor, Lighting Designer, Coordinator of Kasulo - Espaço de Arte/SP, Founder and Director of Cia Carne Agonizante/SP. He was president of the Cooperativa Paulista de Dança. He has a Master's degree and is studying for a PhD in Physical Education, in the area of Physical Education and Society at UNICAMP. He is a member of GPFEM - Research Group in Philosophy and Aesthetics of Movement (FEF/UNICAMP). She receives support from CNPq - National Council for Scientific and Technological Development. E-mail: sandroborelli13@gmail.com

References

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Published

2024-10-18

How to Cite

BORELLI, Sandro. Art and culture, a necessary rupture. Brazilian Journal of Dance Research, [S. l.], v. 3, n. 5, p. 436–457, 2024. DOI: 10.58786/rbed.2024.v3.n5.64811. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/64811. Acesso em: 21 nov. 2024.