Sophia: do branco do papel às aranhas da escrita
DOI:
https://doi.org/10.35520/diadorim.2014.v15n0a4017Abstract
O trabalho examina, sob a perspectiva da crítica temática, o modo como são definidos os momentos constituintes e a natureza da experiência poética em obras de Sophia de Mello Breyner Andresen publicadas a partir dos anos 1950. A análise recorre à descrição das estruturas da experiência poética contemporânea proposta por Michel Collot e relacionada, em seus estudos teórico-críticos, à noção de paisagem.
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