Vol. 8 No. 3 (2023)

Articles

  • BETWEEN HISTORY AND MEMORY: DIVERSITY, THE BODY AND POLITICAL (RE)SIGNIFICATION

    Maria Cleci Venturini, Leandro Tafuri, Adilson Carlos Batista
    12-35
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.62186
  • PHILOSOPHICAL CONCEPT OF NON-LOGOCENTRIC LANGUAGE IN THE BAKHTIN CIRCLE: DIGITAL ENUNCIATION

    José Lucas do Nascimento Barbosa, Sônia Virginia Martins Pereira
    36-64
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.57471
  • DISCURSIVE ANALYSIS OF THE REPRESENTATION OF BLACK WOMEN IN THE #AVONTÁON CAMPAIGN

    Suéllen Stéfani Felício Lourenço, Mariana Ramalho Procópio Xavier, Ana Carolina Gonçalves Reis
    65-97
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.57527
  • THE HYBRIDISM OF THE SOUND PHENOMENON AND ITS UNFOLDING IN HERMETO PASCOAL’S PRODUCTION

    Denise Blanco Sant'Anna, Juracy Assmann Saraiva
    98-123
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.58683
  • VIDEO GAMES AND VIOLENCE: AN OLD (BUT PERSISTENT) DEBATE

    Everton Garcia da Costa, Laryssa dos Santos Waltter, Leonardo de Oliveira Gonçalves, Nicolas Boldt
    124-157
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.60858
  • SÍ, SOMOS LATINOAMERICANOS: DELETION AND RESISTANCE IN TONY MANERO

    Marcelo Dídimo Souza Vieira, Thiago Henrique Gonçalves Alves, Beatriz Lizavieta Vasconcelos Viana
    158-181
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.59516
  • THE CONSTRUCTION OF THE DISCURSIVE CREDIBILITY OF JOURNALISTIC CINEMA CRITICISM IN THE LIGHT OF FOUCAULTIAN THINKING

    Vinícius Oliveira Rocha, Sonia Aguiar
    182-213
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.60219
  • ALEISTER CROWLEY IN SONGS BY BRUCE DICKINSON AND IRON MAIDEN

    Vitor Cei, Luana Gabriela Paslawski
    214-243
    DOI: https://doi.org/10.61358/policromias.2023.v8n3.57507