This is an outdated version published on 2022-07-31. Read the most recent version.

Descolonizando a história da dança

Authors

DOI:

https://doi.org/10.58786/rbed.2022.v1.n1.53729

Keywords:

história da dança, dança indiana, descolonizar

Author Biography

Prarthana Purkayastha, Royal Holloway University of London

Prarthana Purkayastha leciona na Royal Holloway University of London. Seu livro sobre Dança Moderna Indiana, Feminismo e Transnacionalismo foi publicada pela Palgrave Macmillan na série New World Choreographies em 2014 e posteriormente ganhou o Prêmio 2015 de la Torre Bueno da Society of Dance History Scholars e o Prêmio de Publicação Destaque 2015 do Congresso sobre Pesquisa em Dança. Sua pesquisa em dança que examina as interseções de raça, gênero e nacionalidade, foram publicadas em diferentes periódicos como o Dance Research Journal, Performance Research, Asian Theatre Journal, CLIO: Femmes, Genre et Histoire e South Asia Research, entre outros.

References

BANERJI, A. Odissi Dance: Paratopic Performances of Gender, Law, and Nation. Tese de Doutorado. New York: New York University, 2010.

BOSE, M. Speaking of Dance:The Indian Critique. New Delhi: D.K. Printword, 2001.

CHAKRAVORTY, P. Bells of Change: Kathak Dance,Women and Modernity in India, Calcutta: Seagull Books, 2008.

CHAKRAVORTY, P. Remixed Practice: Bollywood Dance and the Global Indian. In: CHAKRAVORTY, P; GUPTA, N. (eds.) Dance Matters: Performing India. New Delhi: Oxford University Press, 2010.

CHATTERJEA, A. Contestations: Constructing a Historical Narrative for Odissi. In: CARTER, A. (ed.) Rethinking Dance History: A Reader, London: Routledge, 2004, pp. 143–156.

CHATTERJEA, A. Red-Stained Feet: Probing the Ground on Which Women Dance in Contemporary Bengal. In: FOSTER, S.L. (ed.) Worlding Dance, Basingstoke: Palgrave Macmillan, 2009.

COORLAWALA, U.A. Classical and Contemporary Indian Dance: Overview, Criteria and a Choreographic Analysis. Tese de Doutorado. New York: New York University, 1994.

GRAMSCI, A. Selections from the Prison Notebooks. London: Lawrence and Wishart, 1971.

GUHA, R (ed.). Subaltern Studies:Writings on South Asian Society and History. New Delhi: Oxford University Press, 1982.

GUHA, R. (ed.) Dominance without Hegemony: History and Power in Colonial India, Cambridge, MA: Harvard University Press, 1997.

KEDHAR, A. Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism. Dance Research Journal, 46:1, 23–40, 2014.

KERSENBOOM-STORY, S.C. Nityasumangali: Devadasi Tradition in South Asia, New Delhi: Motilal Banarsidass, 1987.

LOPEZ Y ROYO, A. Classicism, Post-Classicism and Ranjabati Sircar’s Work: Redefining the Terms of Indian Contemporary Dance Discourses. South Asia Research, 23:1, 2003, 153–169.

MEDURI, A. Rukmini Devi Arundale (1904–1986):AVisionary Architect of Indian Culture and the Performing Arts, New Delhi: Motilal Banarsidass, 2005.

O’SHEA, J. At Home in the World: Bharata Natyam on the Global Stage, Middle- town: Wesleyan University Press, 2007.

PURKAYASTHA, P. Indian Modern Dance, Feminism and Transnationalism, Basingstoke: Palgrave Macmillan, 2014.

PURKAYASTHA, P. Women in Revolutionary Theatre: IPTA, Labor, and Perfor- mance. Asian Theatre Journal, 32:2, 2015, pp. 518–535.

ROY CHOWDHURY, R. Jibaner Taney Shilper Taney, Calcutta: Thema, 1999.

SAID, E.W. Orientalism, New York: Vintage Books, 1995.

SARKAR MUNSI, U. Tale of the Professional Woman Dancer in Folk Traditions in India: Commodification of Dance and the Traditional Dancing Women. In: DUTT, B.; SARKAR Munsi, U. (eds.) Engendering Performance: Indian Women Performers in Search of an Identity. New Delhi: SAGE, 2010.

SETH, S. Which Past? Whose Transcendental Presupposition? Postcolonial Studies, 11:2, 2008, pp. 215–226.

SONEJI, D. Unfinished Gestures: Devadasis, Memory, and Modernity in South India, Chicago: University of Chicago Press, 2012.

SPIVAK, G.C. Can the Subaltern Speak. In: NELSON, C.; GROSSBERG, L. (eds.) Marxism and the Interpretation of Culture, Urbana: University of Illinois Press, 1988, pp. 271–313.

SRINIVASAN, A. Reform and Revival: The Devadasi and Her Dance. Economic and PoliticalWeekly, 20:44, 1985, pp. 1869–1876.

SRINIVASAN, P. Sweating Saris: Indian Dance as Transnational Labor, Philadelphia: Temple University Press, 2012.

VATSYAYAN, K. Indian Classical Dance, New Delhi: Ministry of Information and Broadcasting, Govt. of India, 1974.

Downloads

Published

2022-07-31

Versions

How to Cite

PURKAYASTHA, Prarthana. Descolonizando a história da dança. Brazilian Journal of Dance Research, [S. l.], v. 1, n. 1, p. 371–388, 2022. DOI: 10.58786/rbed.2022.v1.n1.53729. Disponível em: https://revistas.ufrj.br/index.php/rbed/article/view/53729. Acesso em: 23 nov. 2024.

Issue

Vol. 1 No. 1 (2022): Outras Danças, Muitas Histórias

Section

Tradução

License 

Authors who publish in the Revista Brasileira de Estudos em Dança are 
responsible for the content of signed articles and retain copyright. 
They grant the journal the right of first publication with the work simultaneously 
licensed under the Creative Commons Attribution-NonCommercial 4.0 License 
(Open Archives Initiative - OAI). This feature, used for open-access journals, 
allows sharing work for non-commercial purposes and acknowledges 
authorship. If the text is later published in another vehicle, the author 
must inform that it was initially published as an article in the Revista Brasileira 
de Estudos em Dança. Therefore, even if the journal owns the first publication, 
authors are entitled to publish their work in institutional repositories or on
 their personal pages, even if the editorial process has not been completed. 
The journal reserves the right to make normative, orthographic, and grammatical changes to maintain the language standard, respecting the authorial style.