Esta es un versión antigua publicada el 2022-07-31. Consulte la versión más reciente.

Descolonizando a história da dança

Autores/as

DOI:

https://doi.org/10.58786/rbed.2022.v1.n1.53729

Palabras clave:

história da dança, dança indiana, descolonizar

Biografía del autor/a

Prarthana Purkayastha, Royal Holloway University of London

Prarthana Purkayastha leciona na Royal Holloway University of London. Seu livro sobre Dança Moderna Indiana, Feminismo e Transnacionalismo foi publicada pela Palgrave Macmillan na série New World Choreographies em 2014 e posteriormente ganhou o Prêmio 2015 de la Torre Bueno da Society of Dance History Scholars e o Prêmio de Publicação Destaque 2015 do Congresso sobre Pesquisa em Dança. Sua pesquisa em dança que examina as interseções de raça, gênero e nacionalidade, foram publicadas em diferentes periódicos como o Dance Research Journal, Performance Research, Asian Theatre Journal, CLIO: Femmes, Genre et Histoire e South Asia Research, entre outros.

Citas

BANERJI, A. Odissi Dance: Paratopic Performances of Gender, Law, and Nation. Tese de Doutorado. New York: New York University, 2010.

BOSE, M. Speaking of Dance:The Indian Critique. New Delhi: D.K. Printword, 2001.

CHAKRAVORTY, P. Bells of Change: Kathak Dance,Women and Modernity in India, Calcutta: Seagull Books, 2008.

CHAKRAVORTY, P. Remixed Practice: Bollywood Dance and the Global Indian. In: CHAKRAVORTY, P; GUPTA, N. (eds.) Dance Matters: Performing India. New Delhi: Oxford University Press, 2010.

CHATTERJEA, A. Contestations: Constructing a Historical Narrative for Odissi. In: CARTER, A. (ed.) Rethinking Dance History: A Reader, London: Routledge, 2004, pp. 143–156.

CHATTERJEA, A. Red-Stained Feet: Probing the Ground on Which Women Dance in Contemporary Bengal. In: FOSTER, S.L. (ed.) Worlding Dance, Basingstoke: Palgrave Macmillan, 2009.

COORLAWALA, U.A. Classical and Contemporary Indian Dance: Overview, Criteria and a Choreographic Analysis. Tese de Doutorado. New York: New York University, 1994.

GRAMSCI, A. Selections from the Prison Notebooks. London: Lawrence and Wishart, 1971.

GUHA, R (ed.). Subaltern Studies:Writings on South Asian Society and History. New Delhi: Oxford University Press, 1982.

GUHA, R. (ed.) Dominance without Hegemony: History and Power in Colonial India, Cambridge, MA: Harvard University Press, 1997.

KEDHAR, A. Flexibility and Its Bodily Limits: Transnational South Asian Dancers in an Age of Neoliberalism. Dance Research Journal, 46:1, 23–40, 2014.

KERSENBOOM-STORY, S.C. Nityasumangali: Devadasi Tradition in South Asia, New Delhi: Motilal Banarsidass, 1987.

LOPEZ Y ROYO, A. Classicism, Post-Classicism and Ranjabati Sircar’s Work: Redefining the Terms of Indian Contemporary Dance Discourses. South Asia Research, 23:1, 2003, 153–169.

MEDURI, A. Rukmini Devi Arundale (1904–1986):AVisionary Architect of Indian Culture and the Performing Arts, New Delhi: Motilal Banarsidass, 2005.

O’SHEA, J. At Home in the World: Bharata Natyam on the Global Stage, Middle- town: Wesleyan University Press, 2007.

PURKAYASTHA, P. Indian Modern Dance, Feminism and Transnationalism, Basingstoke: Palgrave Macmillan, 2014.

PURKAYASTHA, P. Women in Revolutionary Theatre: IPTA, Labor, and Perfor- mance. Asian Theatre Journal, 32:2, 2015, pp. 518–535.

ROY CHOWDHURY, R. Jibaner Taney Shilper Taney, Calcutta: Thema, 1999.

SAID, E.W. Orientalism, New York: Vintage Books, 1995.

SARKAR MUNSI, U. Tale of the Professional Woman Dancer in Folk Traditions in India: Commodification of Dance and the Traditional Dancing Women. In: DUTT, B.; SARKAR Munsi, U. (eds.) Engendering Performance: Indian Women Performers in Search of an Identity. New Delhi: SAGE, 2010.

SETH, S. Which Past? Whose Transcendental Presupposition? Postcolonial Studies, 11:2, 2008, pp. 215–226.

SONEJI, D. Unfinished Gestures: Devadasis, Memory, and Modernity in South India, Chicago: University of Chicago Press, 2012.

SPIVAK, G.C. Can the Subaltern Speak. In: NELSON, C.; GROSSBERG, L. (eds.) Marxism and the Interpretation of Culture, Urbana: University of Illinois Press, 1988, pp. 271–313.

SRINIVASAN, A. Reform and Revival: The Devadasi and Her Dance. Economic and PoliticalWeekly, 20:44, 1985, pp. 1869–1876.

SRINIVASAN, P. Sweating Saris: Indian Dance as Transnational Labor, Philadelphia: Temple University Press, 2012.

VATSYAYAN, K. Indian Classical Dance, New Delhi: Ministry of Information and Broadcasting, Govt. of India, 1974.

Publicado

2022-07-31

Versiones