Vol. 28 No. 44 (2022): Transes, tranças, transas: inscrições corpóreas

View Vol. 28 No. 44 (2022): Transes, tranças, transas: inscrições corpóreas

Arte & Ensaios apresenta o número 43, correspondente à chamada pública Transes, tranças, transas, publicada em dezembro de 2022.

DOI: https://doi.org/10.37235/ae.n44
Published: 2022-12-20

Full Issue

Editorial

  • Trances, tresses, trans: tangible entries

    6 - 14
    DOI: https://doi.org/10.37235/ae.n44.1

Entrevista

  • If they are taboos, they have power: interview with Juliana Notari

    15 - 53
    DOI: https://doi.org/10.37235/ae.n44.2

Artigos

  • Vulnerable visibility: a look at images of female bodies

    Rafaela Travassos Sarinho
    54 - 68
    DOI: https://doi.org/10.37235/ae.n44.3

  • Queer cartographies in the visual arts: notes from the reception of the work of Alair Gomes

    Bruno Pereira
    69 - 92
    DOI: https://doi.org/10.37235/ae.n44.4

  • Tee Corinne’s multiple artistic experiments and a brief reflection on lesbian art

    Lívia Bittencourt Auler
    93 - 111
    DOI: https://doi.org/10.37235/ae.n44.5

  • Ana Mendieta: traces of colonialism, performance, and feminisms in Latin America

    Luciana da Costa Dias
    112 - 136
    DOI: https://doi.org/10.37235/ae.n44.6

  • Creative-Home: space problems in the artwork of Brazilian artists of the 1970s

    Paula Nogueira Ramos
    137 - 164
    DOI: https://doi.org/10.37235/ae.n44.7

  • Body as space, space as body: gender choreopolitics and Lygia Clark’s relational object

    Luiza Martelotte Simões de Carvalho Martins
    165 - 183
    DOI: https://doi.org/10.37235/ae.n44.8

  • Dead star: self fictional perspectives for HIV

    Gunnar Guedes Borges
    184 - 204
    DOI: https://doi.org/10.37235/ae.n44.9

  • Performative enframing as work of art in Pivô Satélite #3

    Eduardo Montelli
    205 - 229
    DOI: https://doi.org/10.37235/ae.n44.10

  • Reveal or hide: the montage discord of work Insônia: o eu horizontal x o eu vertical

    Fernanda Abranches
    230 - 242
    DOI: https://doi.org/10.37235/ae.n44.11

  • What’s left of the Shoah? A history of ruins and memories in Agamben, Lanzmann, Philipsz and Haacke

    André Arçari
    243 - 260
    DOI: https://doi.org/10.37235/ae.n44.12

Dossiê Dossier Amelia Jones

  • Feminism, the global art system and identity: interview with Amelia Jones

    Cláudia de Oliveira, Amelia Jones, Julia Mello
    261 - 287
    DOI: https://doi.org/10.37235/ae.n44.13

Dossiê poder, mulheres e feminismos nas artes / Dossier power, women and feminisms in the arts

  • Power, women and feminisms in the arts

    Talita Trizoli
    288 - 293
    DOI: https://doi.org/10.37235/ae.n44.14

  • Mãelhação: women-artists-mothers-academics-etc and the arts system

    Michelle Farias Sommer
    294 - 319
    DOI: https://doi.org/10.37235/ae.n44.15

  • Who is an artist? Black women in Brazilian contemporary art

    Guilherme Marcondes
    320 - 336
    DOI: https://doi.org/10.37235/ae.n44.16

  • Ripping up the paper: women’s pornography and the Brazilian Porn Art Movement

    Tie Jojima
    337 - 389
    DOI: https://doi.org/10.37235/ae.n44.17

  • The phantoms of liberty

    Mariana Gazioli Leme
    390 - 404
    DOI: https://doi.org/10.37235/ae.n44.18

  • Labor 141 times

    Flora Leite
    405 - 429
    DOI: https://doi.org/10.37235/ae.n44.19

Tradução

  • Zones of Indistinguishability: Collective Actions Group and Participatory Art

    Claire Bishop em tradução de Jefferson Miranda
    430 - 447
    DOI: https://doi.org/10.37235/ae.n44.20