Volume 33, No. 2.
Processos Criativos em Performance Musical Colaborativa

Table of contents

1. Musical performance in focus

   João Vicente Vidal, Pauxy Gentil-Nunes

   PDF (PRÉ-TEXTUAL COMPLETO) (Português (Brasil))

1. José Siqueira’s oratorio “Candomblé”: from religious ritual to universal work of art

   José Vianey Santos

   PDF (Português (Brasil))

2. From repetition to free improvisation: a comparative study of the effects of variability in musical practice in saxophone class

   Miguel Clemente, Manuel Falleiros, José Fornari

   PDF (Español (España))

1. Opportunities and perspectives of musical performance in contemporary collaborative networks

   Pedro S. Bittencourt, Danilo Rossetti

   PDF (Português (Brasil))

2. On the limits of musical collaboration

   William Teixeira

   PDF (Português (Brasil))

3. Artistic exploration and appropriation of interactive multimodal tools in the context of the collaborative creative processes of the ensemble “imaginários sonoros”

   José Henrique Padovani, Nathalia Fragoso, Fellipe Martins, Caio Campos, Felippe Barros

   PDF (Português (Brasil))

4. “Cadernos sonoros”: telematic music, collaboration and intertextuality

   Cássia Carrascoza Bomfim

   PDF (Português (Brasil))

5. “Caldo de cana”: report of a remote audiovisual recording made by a network of 220 Brazilian flutists

   David Ganc

   PDF (Português (Brasil))

6. Motivation and collaboration within the composition of two pianos by Francisco Mignone and the waltz “Eponina” by Ernesto Nazareth

   Alexandre Dietrich, Maria Bernardete Castelan Póvoas

   PDF (Português (Brasil))

7. Collaboration and extended techniques in “Interferência”: from conception to performance

   José Batista Júnior, Marcel Castro Lima

   PDF (Português (Brasil))

8. Collaborative creative processes on the music of Jorge Peixinho (1940-1995): exploring the idiomatism of the guitar and the potential of electronics

   Pedro Baptista, Tiago Lestre, Pedro Rodrigues, Evgueni Zoudilkine

   PDF (Português (Brasil))

9. The importance of action in the creative process of “A cidade e os espelhos”

   Lucas Zewe Uriarte, Lucas Quinamo Furtado de Mendonça

   PDF (Português (Brasil))

10. The collaborative process in the development of the work “Brain Washed, Brain Dead”

    Thais Montanari, Nathalia Fragoso

    PDF (Português (Brasil))

11. Traces of a collaborative process between composer and performer/interpreter in the creation of the experimental opera “Helena e seu ventríloquo”

    Doriana Mendes, Daniel Quaranta

    PDF (Português (Brasil))

1. Creative processes in collaborative musical performance: interview with Nicolas Donin

   Pedro S. Bittencourt, Danilo Rossetti

   PDF

1. In a century, the harpsichord marks its presence in Rio de Janeiro

   Helena Jank

   PDF (Português (Brasil))