Vol. 30 No. 47 (2024): Imagens moventes: arte, cinema, vídeo

Apresentação / Editorial

Imagens moventes: arte, cinema, vídeo

Livia Flores

1-9
- PDF (Português (Brasil))

Entrevista

Lineage is language: an interview with Aline Motta

Aline Motta, Livia Flores, Dinah de Oliveira, André Leal, Bárbara Copque, Janaína Damaceno, Michelle Farias Sommer

11-41
- PDF (Português (Brasil))

Artigos

Gray zone or beyond the white cube and the black box

Cássia Hosni

43-62
- PDF (Português (Brasil))
Object films Still life between experimental cinema and video art

Ian Schuler

63-81
- PDF (Português (Brasil))
From the image of presence to the presence of the image the time of video performance

Ricardo Mauríco Gonzaga

82-106
- PDF (Português (Brasil))
For life to happen: device and performativity in Asymptotes

Franz Manata

107-119
- PDF (Português (Brasil))
Cinema on infinitive: connexions between Lygia Clark and Adirley Queirós

Maria Bogado

120-144
- PDF (Português (Brasil))
The film Elena as a cine-biographeme from the audio letters and video diaries of the character title

Maruzia de Almeida Dultra

145-161
- PDF (Português (Brasil))
Weaving fugitivity with the threads of the body in dance

Aline Portugal

162-184
- PDF (Português (Brasil))
The movement-image under Paulo Barros’ carnival visualities

Leonardo Augusto de Jesus

185-209
- PDF (Português (Brasil))
Cinema, technicity, and sacredness: An overview of the shifting boundaries between art, science, and religion

Marcio Barreto

210-232
- PDF (Português (Brasil))
The abstract bond

Artur de Vargas Giorgi

319-331
- PDF (Português (Brasil))
The non-object in Anish Kapoor: between the visible and the invisible

Lucas Procópio de Oliveira Tolotti

332-348
- PDF (Português (Brasil))
Study of the carving in the chapel of the Third Order, convent of santo Antônio in João Pessoa

Aziz José de Oliveira Pedrosa Pedrosa

349-370
- PDF (Português (Brasil))

Tradução

Crapularity Hermeneutics Interpretation as the Blind Spot of Analytics, Artificial Intelligence, and Other Algorithmic Producers of the Postapocalyptic Present

Beatriz Pimenta Velloso

372-407
- PDF (Português (Brasil))

Dossiê

Dossier: The obstinate life of images. Experimentation and montage between cinema and visual arts.

Giovanni Festa

234-239
- PDF (Español (España))
Museum, montage, mistery

Giovanni Festa

240-254
- PDF (Español (España))
Cinema in the museum: some ideas about the exhibition Action-Cinema in Colombia at the National Museum

Mauricio Durán Castro

255-267
- PDF (Español (España))
Percussive images: notes on the work of Los Ingrávidos

Eduardo A. Russo

268-286
- PDF (Español (España))
Pedro Manrique Figueroa and the Tiger Tamer

Alessandra Merlo

287-298
- PDF (Español (España))
Notes on trends in contemporary Argentine audiovisual in the work of Andrés Denegri and Lucía Seles

Tamara Accorinti

299-317
- PDF (Español (España))

Vol. 30 No. 47 (2024): Imagens moventes: arte, cinema, vídeo

Full Issue

Apresentação / Editorial

Imagens moventes: arte, cinema, vídeo

Entrevista

Lineage is language: an interview with Aline Motta

Artigos

Gray zone or beyond the white cube and the black box

Object films Still life between experimental cinema and video art

From the image of presence to the presence of the image the time of video performance

For life to happen: device and performativity in Asymptotes

Cinema on infinitive: connexions between Lygia Clark and Adirley Queirós

The film Elena as a cine-biographeme from the audio letters and video diaries of the character title

Weaving fugitivity with the threads of the body in dance

The movement-image under Paulo Barros’ carnival visualities

Cinema, technicity, and sacredness: An overview of the shifting boundaries between art, science, and religion

The abstract bond

The non-object in Anish Kapoor: between the visible and the invisible

Study of the carving in the chapel of the Third Order, convent of santo Antônio in João Pessoa

Tradução

Crapularity Hermeneutics Interpretation as the Blind Spot of Analytics, Artificial Intelligence, and Other Algorithmic Producers of the Postapocalyptic Present

Dossiê

Dossier: The obstinate life of images. Experimentation and montage between cinema and visual arts.

Museum, montage, mistery

Cinema in the museum: some ideas about the exhibition Action-Cinema in Colombia at the National Museum

Percussive images: notes on the work of Los Ingrávidos

Pedro Manrique Figueroa and the Tiger Tamer

Notes on trends in contemporary Argentine audiovisual in the work of Andrés Denegri and Lucía Seles

Language

Information