Volume 33, No. 1.
Som e Música no Audiovisual

Table of contents

1. “Audiovisual” music: yesterday and today

   João Vicente Vidal, Pauxy Gentil-Nunes

   PDF (pré-textual completo) (Português (Brasil))

1. Carlos Gomes’ counterpoint and fugue studies

   Paulo Silva

   PDF (Português (Brasil))

2. Paulo Silva on Carlos Gomes: notes on the teaching of counterpoint in the 19th and 20th centuries

   Roberto Macedo

   PDF (Português (Brasil))

1. Presence of Carlos Gomes in the Rio press during his formative period, 1859-1863

   Marcos da Cunha Lopes Virmond, Lenita Waldige Mendes Nogueira

   PDF (Português (Brasil))

2. A northeastern vocalise in the Amazon: considerations on Mãe d’Água in “Canticum Naturale”, by Edino Krieger

   Julio Cesar Damaceno, Acácio Piedade

   PDF (Português (Brasil))

1. Sound and Music in Audiovisual Studies: perspectives and research challenges

   Rodolfo Caesar, Luíza Alvim

   PDF (Português (Brasil))

2. Origins of the “Hollywood Sound”: the formation of the symphonic genre after Alfred Newman

   Daniel Tápia

   PDF (Português (Brasil))

3. Chantal Akerman’s sound strategies

   Natália Marchiori da Silva

   PDF (Português (Brasil))

4. Author’s music and Kleber Mendonça Filho’s cinema

   Breno Alvarenga

   PDF (Português (Brasil))

5. Deviant songs: musical moment and utopia in contemporary queer cinema

   Luiz Fernando Wlian

   PDF (Português (Brasil))

6. An odyssey in nine acts: aesthetic configurations and performance dimensions of the visual album in digital culture

   Leonam Dalla Vecchia, Wagner dos Santos Dornelles

   PDF (Português (Brasil))

7. Sound opacity in the New Film Cycle of Pernambuco

   Igor Araújo Porto, Miriam de Souza Rossini

   PDF (Português (Brasil))

8. “Sonic place” as a methodological framework: a conceptual proposal for the analysis of historical films

   Daniel Dória

   PDF (Português (Brasil))

9. Words to the wind: voice, body and melodrama in sound cinema

   Felipe Ferro Rodrigues

   PDF (Português (Brasil))

10. The characters’ dialogues as generators of violence: a study of Brazilian films

    Débora Opolski

    PDF (Português (Brasil))

11. The use of music in the survival-horror game “Pesadelo – Regressão”

    Vicente Reis de Souza Farias, Fernando Iazzetta

    PDF (Português (Brasil))

12. Pocket cinema: the images of portable listening

    Rômulo Moraes

    PDF (Português (Brasil))

13. Visual listening and real-time sound production in audiovisual performances

    Marina Mapurunga

    PDF (Português (Brasil))

14. Study of the audiovisual transmission of Mahler’s First Symphony by the Berlin Philharmonic

    Leandro Vasconcellos de Oliveira

    PDF (Português (Brasil))

1. The field of Audiovisual Studies, observation as a method and audio-logo-vision: an interview with Michel Chion

   Luíza Alvim

   PDF (Português (Brasil))

1. Introductory Notes to String Quartet No. 3, 1st mov. (first version), by Alberto Nepomuceno

   João Vicente Vidal

   PDF (Português (Brasil))

2. String Quartet No. 3, 1st mov. (first version)

   Alberto Nepomuceno

   PDF (Português (Brasil))